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Re: critical issues
From: |
Graham Percival |
Subject: |
Re: critical issues |
Date: |
Sat, 1 Jan 2011 09:26:00 +0000 |
User-agent: |
Mutt/1.5.20 (2009-06-14) |
On Sat, Jan 01, 2011 at 09:39:37AM +0100, Werner LEMBERG wrote:
>
> > I'm not optimistic about that; I think a more realistic opportunity
> > would be to get some grant money from some artistic organization.
>
> Mhmm. `Programming' in its broadest sense is research, thus getting
> grants limits the number of persons enormously. However, the number
> of music researchers (this is, persons who work in the academical
> field and who can actually apply for a grant) who can program is very
> limited, I believe. And normally, grants are always too limited to be
> shared with external resources...
? Hiring outside talent is not unusual for Canadian and UK
research grants. A music professor using part of a grant to hire
a programmer (generally to do the "technical side" of an
electroacoustic composition), or an engineering professor using
part of a grant to hire professional musicians to perform
something (which he will then analyze), is entirely normal.
I readily acknowledge that writing grant applications is a very
specific skill -- each granting agency wants to see something
slightly different in its applications; a perfect application for
one agency might be a terrible application for another one.
Cheers,
- Graham
Re: critical issues, Jan WarchoĊ, 2011/01/01
Re: critical issues, Trevor Daniels, 2011/01/01
Re: critical issues, David Kastrup, 2011/01/01