Re: How to work with large orchestral1 projects

[Urs Liska]

Am 21. Februar 2016 08:25:22 MEZ, schrieb Carl-Henrik Buschmann 
<address@hidden>:
>I found that it was 
>\slashedGrace {b8}
>that caused the whole double time signature thing. I can only assume it
>is a bug. I still need a acciaccatura though. Any thoughts?

This is one of the *oldest* and most embarassing bugs, yes.

What you need to do is put a grace construct in *every* context, using spacer 
tests to make it invisible. E.g. \grace s8

HTH
Urs
>
>
>Med vennlig hilsen,
>Carl-Henrik Buschmann
>Lektor
>
>
>> 20. feb. 2016 kl. 22.02 skrev Carl-Henrik Buschmann
><address@hidden>:
>> 
>> Hi guys,
>> 
>> I'm trying to learn how to use lilypond to typeset orchestral
>material. Handling large projects is fun but good documentation
>regarding this is hard to come by. I'm still a lilypond novice and my
>Google-Fu has let me down, I need help. 
>> 
>> I'm using my own orchestration which i engraved in Sibelius a while
>back.
>> 
>> This is my original sibelius score i.e.: the "ideal":
>> http://i.imgur.com/fIQJN8v.png <http://i.imgur.com/fIQJN8v.png>
>> 
>> And this is my lilypond output so far:
>> http://i.imgur.com/g2OL258.png <http://i.imgur.com/g2OL258.png>
>> 
>> 2) This is the wierdest thing. Double up of time, clef and tempo,
>what is on earth have i done wrong? 
>> 
>
>
>
>------------------------------------------------------------------------
>
>_______________________________________________
>lilypond-user mailing list
>address@hidden
>https://lists.gnu.org/mailman/listinfo/lilypond-user

-- 
Diese Nachricht wurde von meinem Android-Mobiltelefon mit K-9 Mail gesendet.