Re: First page completed; tweaking questions

[address@hidden]

On Apr 9, 2011, at 7:08 PM, address@hidden wrote:

> 
> 
> I have my first page of music notated with lilypond here:
> 
> http://www.flickr.com/photos/address@hidden/5603253711/
> 
> 
> 
> CONCERNING area's marked in red A1 and A2:
> 
> Sometimes I require one note to have two stems indicating
> that the note belongs to two voices.  A2 worked out
> as I intended but for A1, ideally I would just like the
> half-note G# visible and the triplet eighth-note G# invisible,
> so that the first stem of the triplet is the a stem
> attached to the half-note G# (and the half-note G# still has
> its downward stem also).  How can this be achieved?
> 

\mergeDifferentlyHeadedOn


> 
> CONCERNING the area's marked B1, B2, B3, and B4:
> 
> Look at B1 for example.  The triplet bracket circled is
> too short, I want all triplet brackets to take the "entire
> duration", not just go to the last stem.

\set tupletFullLength = ##t
\set tupletFullLengthNote = ##t
> 
> Also, in the special case of B1, where I have two
> voices each with a triplet, notationally only one
> bracket is necessary.  Is there any way to make one
> of the bracket's "invisible" (like an "s" rest)?
> 

\once \override Voice . TupletBracket #'transparent = ##t
> 
> CONCERNING the area's marked C1, C2, and C3:
> Can I tilt the right side of the triplet bracket
> down at C1 and C3?  At C2i, can I tilt the
> left side of the beam upwards so it is over the rest?
> 

This I'll leave for someone else - I can think of kludgy ways to do it, but 
there may be more elegant ones.

Cheers,
MS