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Re: thanks again for the editionEngraver


From: Urs Liska
Subject: Re: thanks again for the editionEngraver
Date: Fri, 31 Oct 2014 18:05:39 +0100
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Am 31.10.2014 14:49, schrieb Paul Morris:
Urs Liska wrote
That sounds reasonable.
However, original breaks *are* part of the content so that's not a
mixture.

Hi Urs,

Well, I see where you're coming from, but I think we are understanding
"content" differently here.[1]

The original breaks are an important means to render the original
version/presentation of the score, and you would probably want to include
them in your file(s) so that version remained an option.  But since the
original layout is just one possible version/presentation among others, that
tells me they are a matter of presentation and not content, in the way I'm
understanding this distinction.

Cheers,
-Paul

Did you read my email quoted below? I have the impression it wasn't delivered through the list (was it down yesterday?)

Urs

###

Am 31.10.2014 01:52, schrieb Urs Liska:> Hi Kieren,
>
> interesting: I think you are 100% right, yet I have to express
> objections - as it's a matter of perspective. But now I think I should
> have said "depending on the perspective original breaks *can be* part of
> the content".
>
> Am 30.10.2014 13:21, schrieb Kieren MacMillan:
>> Hi Urs,
>>
>>> original breaks *are* part of the content so that's not a mixture.
>> I disagree: original breaks are, in my opinion, part of the original
>> presentation (engraving) of the content. There are, of course, grey
>> areas in the “content versus presentation” discussion — e.g., are
>> clefs content or presentation? (lately I’m leaning towards
>> “presentation”) — but I’m solidly of the opinion that dimensional
>> engraving choices like line and page breaks, which were dictated
>> almost entirely by the physical [hence presentational] properties of
>> the original engraving, are presentation.
>
> When you're looking at a score with a scholarly edition in mind (and
> that's what *I* usually do) you treat information like this as part of
> the content you're editing. The fact that there's a break somewhere
> gives you so much information to judge errors (e.g. issues of
> half-missing slurs or wrong accidentals, clefs etc.) that it's vital to
> process the information. Typically you'd mention in a critical remark
> when an editorial decision has been influenced by a break. Sometimes you
> can also find an explicit list of breaks, and in some types of edition
> you'd see original breaks marked in the new edition (see
> https://github.com/openlilylib/openlilylib/tree/master/editorial-tools/line-break-marks).
>
>
> Current trends of (especially) digital music edition go into the
> direction of considering the "edition" as being constituted of the
> *encoding* of the content. In that concept the visual, audible or
> textual *rendering* is a more or less arbitrary instantiation of the
> edition. And these concepts tend to encode as much information as
> possible from the "sources" (in the sense of the phyiscally existing
> evidence of the composition) and treat it as part of the content. Line
> breaks are among the more coarse aspects in that perspective. One tries
> to preserve as much as possible for the reference of future scholars,
> from paper color and watermarks over marks with different ink to
> different and potentially conflicting pagination schemes of different
> writers. I can tell you that nothing is finally neglectable, and the
> most arbitrary informations can at some point trigger fundamental
> questions in a later person looking at the case.
>
> So to come back to the origin: In my perspective breaks are part of the
> content of the edition, although not part of the composition.
>
>>
>> For the record, that still doesn’t change my opinion about your
>> functions: They are worthy of existing, and could be a useful addition
>> to the main distro.
>
> That's a completely different story, and I'm currently not interested in
> spending more energy on this ...
>
> Best
> Urs
>
>>
>> Best,
>> Kieren.
>>


[1] See the following for the distinction between content and presentation
that I have in mind:
https://en.wikipedia.org/wiki/Separation_of_presentation_and_content





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