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Re: lilypond presentation
From: |
Karl Hammar |
Subject: |
Re: lilypond presentation |
Date: |
Tue, 25 Jun 2013 00:02:37 +0200 (CEST) |
Janek:
> 2013/6/24 Janek Warchoł <address@hidden>:
> > - show them the attached score. It contains very few overrides, and
> > they are very subtle anyway - even the 100% default output looks
> > excellent.
>
> And another example: a fragment of an excellent engraving of Mozart's
> Requiem published by Breitkopf in 1952 (peak of traditional engraving)
> and LilyPond version, which is again virtually untweaked, and looks
> really similar to Breitkopf:
> https://www.dropbox.com/s/bhycv66tbofcymn/Requiem%20%28Mozart%29.zip
Hmm, you seem to write "Tuis" instead of "tuis" as in the Breitkopf
edition.
The Breitkops looks like it is easier to read, little bigger text,
a little more space between coir and klaver staffs. I think I like
that.
I don't think it helps people to show them the golden standard since
they don't know what to look for. I think I'll stick to plan a,
showcase + easy examples they can manage themselves.
Regards,
/Karl Hammar
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- lilypond presentation, Karl Hammar, 2013/06/24
- Re: lilypond presentation, Phil Holmes, 2013/06/24
- Re: lilypond presentation, Janek Warchoł, 2013/06/24
- Re: lilypond presentation, Karl Hammar, 2013/06/24
- Re: lilypond presentation, Janek Warchoł, 2013/06/24
- Re: lilypond presentation, Janek Warchoł, 2013/06/24
- Re: lilypond presentation,
Karl Hammar <=
- Re: lilypond presentation, Janek Warchoł, 2013/06/25
- Re: lilypond presentation, Karl Hammar, 2013/06/25
- Re: lilypond presentation, Urs Liska, 2013/06/25
- Re: lilypond presentation, Janek Warchoł, 2013/06/26
- Re: lilypond presentation, Karl Hammar, 2013/06/24