Re: Avoid double beaming

[Jogchum Reitsma]

Op 20-02-2023 om 11:59 schreef Valentin Petzel:
> Hi Jogchum,
>
> please keep it on the list!
Not for the first time I stand corrected here, apologies!
> The first one does exactly what it states it does,
> it creates two voices.
>
> The second one does what you actually want, which is a single voice featuring
> all notes as chords. If you have different rhythms you’ll need to combine these
> approaches and employ different Voices for these parts and chords for the rest.
>
> As Xavier pointed out this is something you can get (semi-)automatically using
> \partCombine.

I used the method Xavier mentioned, and that gives (well, almost.... but 
that's nitpicking, as I shall state in my reply to Xavier) what I would 
like to see.

Thanks again!

regards, Joghum

> Cheers,
> Valentin
>
> Am Montag, 20. Februar 2023, 11:54:11 CET schrieb Jogchum Reitsma:
> > Op 20-02-2023 om 11:08 schreef Valentin Petzel:
> > > Hi Jogchum,
> > >
> > > the reason for your issues is that you are using voice 2 (i.e. lowest
> > > voice) with a \stemUp, which will cause issues to resolve collision.
> > > Generally you should avoid using \stemUp and \stemDown unless you really
> > > need to use it and rather use the correct Voice.
> > >
> > > If you were to use \voiceThree instead (which is the second highest voice)
> > > the Lilypond will properly resolve collision:
> > >
> > > \version "2.24.0"
> > >
> > > global = {
> > >
> > >     \key c \major
> > >     \time 3/4
> > >
> > > }
> > >
> > > sopranoVoice = \relative c'' {
> > >
> > >     \global
> > >     \dynamicUp
> > >     <<
> > >     
> > >       \new Voice {
> > >       
> > >         \voiceOne
> > >         r8 a^\p a4. g8 \time 2/4
> > >         f g a a
> > >       
> > >       }
> > >       \new Voice {
> > >       
> > >         \voiceThree
> > >         r8 f f4.(e8)
> > >         d e f f
> > >       
> > >       }
> > >
> > > }
> > >
> > > \score {
> > >
> > >     \new Staff \with {
> > >     
> > >       instrumentName = "Sopraan"
> > >       shortInstrumentName = "S."
> > >     
> > >     } { \sopranoVoice }
> > >     \layout { }
> > >
> > > }
> > This renders to something that avoids it being seen as 16th notes, but
> > not to what I would like to see (that is, both stems and beams being
> > combined). See the result included.
> >
> > > But in your case I suppose you do not actually want to have two voices but
> > > chords:
> > You are right, looking at the snippet I posted. But at aother places in
> > the score there are different rhythms in the two voices, so that won't
> > work I'm afraid.
> >
> > But thanks for your advice!
> >
> > regards, Jogchum
> >
> > > \version "2.24.0"
> > >
> > > global = {
> > >
> > >     \key c \major
> > >     \time 3/4
> > >
> > > }
> > >
> > > sopranoVoice = \relative c'' {
> > >
> > >     \global
> > >     \dynamicUp
> > >     <<
> > >     
> > >       {
> > >       
> > >         r8 a^\p a4. g8 \time 2/4
> > >         f g a a
> > >       
> > >       }
> > >       {
> > >       
> > >         r8 f f4.(e8)
> > >         d e f f
> > >       
> > >       }
> > >
> > > }
> > >
> > > \score {
> > >
> > >     \new Staff \with {
> > >     
> > >       instrumentName = "Sopraan"
> > >       shortInstrumentName = "S."
> > >     
> > >     } { \sopranoVoice }
> > >     \layout { }
> > >
> > > }
> > >
> > > Cheers,
> > > Valentin
> > >
> > > Am Montag, 20. Februar 2023, 10:43:40 CET schrieb Jogchum Reitsma: