\version "2.23.8"

\header{
  title="Memphis, Tennessee"
  composer="Chuck Berry"
  enteredby="saf"
  tagline = ""  % remove the tag line
}

\include "english.ly"
\include "predefined-guitar-fretboards.ly"
\include "definitions.ily"

riff_part = {
  \transpose c c {
    \relative {
      % We don't want doubleSlurs on bends, because it gives us double arrows.
      \set doubleSlurs = ##f
      \set fingeringOrientations = #'(up)

      \set glissandoMap = #'((0 . 0))

      < e,\6 b'\5-1 >4 < e\6 b'\5-1 >4 < e\6 cs'\5-3 >4 < e\6 cs'\5-3 >4						| % measure 7 / 26
      < e\6 d'\5-4 >4 < e\6 d'\5-4 >4 < e\6 cs'\5-3 >4
      \tuplet 3/2 { \bendOn ( < e'\4-1 >8 ) ( < eqs\4-1 >8 ) ( < e\4-1 >8 ) \bendOff }					| % measure 8 / 27

      < e,\6 b'\5-1 >4 < e\6 b'\5-1 >4 < e\6 cs'\5-3 >4 < e\6 cs'\5-3 >4						| % measure 9 / 28
      < e\6 d'\5-4 >4 < e\6 d'\5-4 >4 < e\6 cs'\5-3 >4 r4								| % measure 10 / 29
    }
  }
}

intro_part = {
  \transpose c c {
    \tempo 4 = 180
    \time 2/2
    \key e \major
    \clef "treble_(8)"

    \relative {
      % We don't want doubleSlurs on bends, because it gives us double arrows.
      \set doubleSlurs = ##f
      \set fingeringOrientations = #'(up)

      \set glissandoMap = #'((0 . 0))
      \grace < d'\2-3 e\1 >16 \glissando < e\2-3 e\1 >2 < d\2-3 e\1 >2							| % measure 1
      \grace < a\3-1 b\2 >16 \glissando < b\3-1 b\2 >2 \tuplet 3/2 { < a\3-1 >4 < g\3 >4 < e\4-2 >4 }			| % measure 2

      \grace < d'\2-3 e\1 >16 \glissando < e\2-3 e\1 >2 < d\2-3 e\1 >2							| % measure 3
      \grace < a\3-1 b\2 >16 \glissando < b\3-1 b\2 >2 \tuplet 3/2 { < a\3-1 >4 < g\3 >4 < e\4-2 >4 }			| % measure 4

      \grace < d'\2-3 e\1 >16 \glissando < e\2-3 e\1 >2 < d\2-3 e\1 >2 							| % measure 5
      \grace < a\3-1 b\2 >16 \glissando < b\3-1 b\2 >2 \tuplet 3/2 { < a\3-1 >4 < g\3 >4 < e\4-2 >4 }			| % measure 6

      \riff_part
    }
  }
}

outro_part = {
  \transpose c c {
    \relative {
      % We don't want doubleSlurs on bends, because it gives us double arrows.
      \set doubleSlurs = ##f
      \set fingeringOrientations = #'(up)

      \set glissandoMap = #'((0 . 0))
      s32 % I don't know why I need this rest, but without it, the outro starts inside the repeat!
      \grace < d'\2-3 e\1 >16 \glissando < e\2-3 e\1 >2 < d\2-3 e\1 >2 							| % measure 30
      \grace < a\3-1 b\2 >16 \glissando < b\3-1 b\2 >2 \tuplet 3/2 { < a\3-1 >4 < g\3 >4 < e\4-2 >4 }			| % measure 31

      \grace < d'\2-3 e\1 >16 \glissando < e\2-3 e\1 >2 < d\2-3 e\1 >2 							| % measure 32
      \grace < a\3-1 b\2 >16 \glissando < b\3-1 b\2 >2 \tuplet 3/2 { < a\3-1 >4 < g\3 >4 < e\4-2 >4 }			| % measure 33

      \grace < d'\2-3 e\1 >16 \glissando < e\2-3 e\1 >2 < d\2-3 e\1 >2 							| % measure 34
      \grace < a\3-1 b\2 >16 \glissando < b\3-1 b\2 >2 \tuplet 3/2 { < a\3-1 >4 < g\3 >4 < e\4-2 >4 }			| % measure 35

      r1 \bar "||"													| % measure 36
    }
  }
}

chord_part = {
  \transpose c c {
    \key e \major

    \chordmode {
      s1														| % measure 1
      s1														| % measure 2
      s1														| % measure 3
      s1														| % measure 4

      s1														| % measure 5
      s1														| % measure 6
      s1														| % measure 7
      s1														| % measure 8

      s1														| % measure 9
      s1														| % measure 10

      \repeat volta 2 {
	b'1														| % measure 11
	s1														| % measure 12
	s1														| % measure 13
	s1														| % measure 14

	s1														| % measure 15
	s1														| % measure 16
	s1														| % measure 17
	s1														| % measure 18

	e1														| % measure 19
	s1														| % measure 20
	s1														| % measure 21
	s1														| % measure 22

	s1														| % measure 23
	b1:7														| % measure 24
	s1														| % measure 25

	s1														| % measure 26
	s1														| % measure 27
	s1														| % measure 28
	s1														| % measure 29
      }

      s1														| % measure 30
      s1														| % measure 31
      s1														| % measure 32
      s1														| % measure 33

      s1														| % measure 34
      s1														| % measure 35
      e1														| % measure 36
    }
  }
}

melody_part = {
  \transpose c c {
    \key e \major
    \clef treble

    \relative {
      <<
	\new StaffGroup
	<<
	  \new Staff \with {
	    \remove "Time_signature_engraver"
	    alignAboveContext = #"cn"
	    firstClef = ##f
	  }
	  \intro_part
	  \new TabStaff \with {
	    \remove "Time_signature_engraver"
	    alignAboveContext = #"cn"
	    firstClef = ##f
	  }
	  \intro_part
	>>

	{
	  s1														| % measure 1
	  s1														| % measure 2
	  s1														| % measure 3
	  s1														| % measure 4

	  s1														| % measure 5
	  s1														| % measure 6
	  s1														| % measure 7
	  s1														| % measure 8

	  s1														| % measure 9
	  r2. b'4													| % measure 10
	}
      >>
      \break

      \repeat volta 2 {
	b4 b4 b4 b4													| % measure 11
	a4 fs4 fs4 gs4													| % measure 12
	b4 b4 b4 b4													| % measure 13
	a2
	<<
	  \new Voice = "v1" \relative { \voiceOne r2 }
	  \new Voice = "v2" \relative { \voiceTwo \magnifyMusic 0.63 { fs'4 gs4 }}
	>>														| % measure 14
	\break

	b4 b4 b4 b4													| % measure 15
	a4 fs4 fs4 gs4													| % measure 16
	b4 b4 b4 b4													| % measure 17
	a2. gs4														| % measure 18
	\break

	b4 b4 b4 cs4													| % measure 19
	b4 gs4 e4 gs													| % measure 20
	b4 b4 b4 gs4													| % measure 21
	b2 r4 fs8 gs8													| % measure 22
	\break

	b4 b4 b4 gs4													| % measure 23
	a4 a4 a4 fs4													| % measure 24
	gs4 gs4 gs4 fs4													| % measure 25
	\break

	<<
	  \new StaffGroup
	  <<
	    \new Staff \with {
	      \remove "Time_signature_engraver"
	      alignBelowContext = #"vo"
	      firstClef = ##f
	    }
	    \transpose c c' {
	      \riff_part
	    }
	    \new TabStaff \with {
	      \remove "Time_signature_engraver"
	      alignBelowContext = #"vo"
	      firstClef = ##f
	    }
	    \riff_part
	  >>

	  {
	    e2. r4													| % measure 26
	    r1														| % measure 27
	    r1														| % measure 28
	    r1														| % measure 29
	  }
	>>
      }
      \break

      <<
	\new StaffGroup
	<<
	  \new Staff \with {
	    \remove "Time_signature_engraver"
	    alignBelowContext = #"vo"
	    firstClef = ##f
	  }
	  \outro_part
	  \new TabStaff \with {
	    \remove "Time_signature_engraver"
	    alignBelowContext = #"vo"
	    firstClef = ##f
	  }
	  \outro_part
	>>

	{
	  s1														| % measure 30
	  s1														| % measure 31
	  s1														| % measure 32
	  s1														| % measure 33

	  s1														| % measure 34
	  s1														| % measure 35
	  s1														| % measure 36
	}
      >>
    }
  }
}

verse_one_part = \lyricmode {
  % Note: We have to omit some bar-checks.  This occurs when we tie
  % across a bar line, or when the next measure begins with a rest.
  ""1															| % measure 1
  ""1															| % measure 2
  ""1															| % measure 3
  ""1															| % measure 4

  ""1															| % measure 5
  ""1															| % measure 6
  ""1															| % measure 7
  ""1															| % measure 8

  ""1															| % measure 9
  ""2 ""4 Long														| % measure 10

  dis- tance, in- for-													| % measure 11
  ma- tion, Give me													| % measure 12
  Mem- phis, Ten- nes-													| % measure 13
  see. "" "" ""														| % measure 14

  Help me find the													| % measure 15
  par- ty trying to													| % measure 16
  get in touch with													| % measure 17
  me.2. She4														| % measure 18

  could not leave her													| % measure 19
  num- ber, but I													| % measure 20
  know who placed the													| % measure 21
  call2 ""4 'cause8 my													| % measure 22

  un-4 cle took the													| % measure 23
  mes- sage and he													| % measure 24
  wrote it on the													| % measure 25
  wall.2. ""4														| % measure 26

  ""1															| % measure 27
  ""1															| % measure 28
  ""1															| % measure 29
  ""1															| % measure 30

  ""1															| % measure 31
  ""1															| % measure 32
  ""1															| % measure 33
  ""1															| % measure 33

  ""1															| % measure 34
  ""1															| % measure 35
  ""1															| % measure 36
}

verse_two_part = \lyricmode {
  % Note: We have to omit some bar-checks.  This occurs when we tie
  % across a bar line, or when the next measure begins with a rest.
  ""1															| % measure 1
  ""1															| % measure 2
  ""1															| % measure 3
  ""1															| % measure 4

  ""1															| % measure 5
  ""1															| % measure 6
  ""1															| % measure 7
  ""1															| % measure 8

  ""1															| % measure 9
  ""1															| % measure 10

  Help4 me, in- for-													| % measure 11
  ma- tion, get in													| % measure 12
  touch with my Ma-													| % measure 13
  rie.2  She's4 the													| % measure 14

  on- ly one who'd													| % measure 15
  call me here from													| % measure 16
  Mem- phis Ten- nes													| % measure 17
  see.2. Her4														| % measure 18

  home is on the													| % measure 19
  south2 side,														| % measure 20
  high4 up on a														| % measure 21
  ridge,2 ""														| % measure 22

  just4 a half a													| % measure 23
  mile2 from4 the													| % measure 24
  Mis- sis- sip- pi													| % measure 25
  Bridge. ""4														| % measure 26

  ""1															| % measure 27
  ""1															| % measure 28
  ""1															| % measure 29
  ""1															| % measure 30

  ""1															| % measure 31
  ""1															| % measure 32
  ""1															| % measure 33
  ""1															| % measure 33

  ""1															| % measure 34
  ""1															| % measure 35
  ""1															| % measure 36
}

verse_three_part = \lyricmode {
  % Note: We have to omit some bar-checks.  This occurs when we tie
  % across a bar line, or when the next measure begins with a rest.
  ""1															| % measure 1
  ""1															| % measure 2
  ""1															| % measure 3
  ""1															| % measure 4

  ""1															| % measure 5
  ""1															| % measure 6
  ""1															| % measure 7
  ""1															| % measure 8

  ""1															| % measure 9
  ""1															| % measure 10

  Last2 time4 I														| % measure 11
  saw Ma- rie, she's													| % measure 12
  wav- ing me good-													| % measure 13
  by.2  ""4 With													| % measure 14

  hur- ry home drops													| % measure 15
  on her cheek that													| % measure 16
  trick- l'd from her													| % measure 17
  eye.2. But4														| % measure 18

  we were pulled a-													| % measure 19
  part, be- cause her													| % measure 20
  Mom did not a-													| % measure 21
  gree,2 ""4 and8 ""8													| % measure 22

  tore4 a- part our													| % measure 23
  hap- py home in													| % measure 24
  Mem- phis Ten- nes-													| % measure 25
  see.2. ""4														| % measure 26

  ""1															| % measure 27
  ""1															| % measure 28
  ""1															| % measure 29
  ""1															| % measure 30

  ""1															| % measure 31
  ""1															| % measure 32
  ""1															| % measure 33
  ""1															| % measure 33

  ""1															| % measure 34
  ""1															| % measure 35
  ""1															| % measure 36
}

verse_four_part = \lyricmode {
  % Note: We have to omit some bar-checks.  This occurs when we tie
  % across a bar line, or when the next measure begins with a rest.
  ""1															| % measure 1
  ""1															| % measure 2
  ""1															| % measure 3
  ""1															| % measure 4

  ""1															| % measure 5
  ""1															| % measure 6
  ""1															| % measure 7
  ""1															| % measure 8

  ""1															| % measure 9
  ""1															| % measure 10

  Help4 me, in- for-													| % measure 11
  ma- tion, more than													| % measure 12
  that I can- not													| % measure 13
  add,2 ""2														| % measure 14

  On-4 ly that I													| % measure 15
  miss her2 and4													| % measure 16
  all the fun we													| % measure 17
  had.2. Ma-4														| % measure 18

  rie is on- ly														| % measure 19
  six years old,2													| % measure 20
  in-4 for- ma- tion,													| % measure 21
  please,2 ""2														| % measure 22

  try4 to put me													| % measure 23
  through to her in													| % measure 24
  Mem- phis Ten- nes-													| % measure 25
  see.2. ""4														| % measure 26

  ""1															| % measure 27
  ""1															| % measure 28
  ""1															| % measure 29
  ""1															| % measure 30

  ""1															| % measure 31
  ""1															| % measure 32
  ""1															| % measure 33
  ""1															| % measure 33

  ""1															| % measure 34
  ""1															| % measure 35
  ""1															| % measure 36
}

solo_part = {
    \tempo 4 = 180
    \time 2/2
    \key e \major
    \clef "treble_(8)"

  \relative {

    \set doubleSlurs = ##f
    \set fingeringOrientations = #'(up)
    \set glissandoMap = #'()

    \mark \markup
    {
      \left-column {
	"Solo - play between 2nd and 3rd verses."
	" "
	" "
	" "
      }
    }

    \repeat percent 4 {
      \grace < a\4-3 cs\3-2 fs\2-1 a\1-4 >8 \glissando < b\4-3 ds\3-2 gs\2-1 b\1-4 >4 < b\4-3 ds\3-2 gs\2-1 b\1-4 >4
      \grace < a\4-3 cs\3-2 fs\2-1 a\1-4 >8 \glissando < b\4-3 ds\3-2 gs\2-1 b\1-4 >4 < b\4-3 ds\3-2 gs\2-1 b\1-4 >4	| % measure 1 / 3

      \grace < b\4-3 ds\3-2 gs\2-1 b\1-4 >8 \glissando < a\4-3 cs\3-2 fs\2-1 a\1-4 >4 < a\4-3 cs\3-2 fs\2-1 a\1-4 >4
      < a\4-3 cs\3-2 fs\2-1 a\1-4 >4 < a\4-3 cs\3-2 fs\2-1 a\1-4 >8 < a\4-3 cs\3-2 fs\2-1 a\1-4 >8			| % measure 2 / 4
    }
    \break

    \repeat percent 2 {
      \grace < d\4-3 fs\3-2 b\2-1 d\1-4 >8 \glissando < e\4-3 gs\3-2 cs\2-1 e\1-4 >4 < e\4-3 gs\3-2 cs\2-1 e\1-4 >4
      \grace < d\4-3 fs\3-2 b\2-1 d\1-4 >8 \glissando < e\4-3 gs\3-2 cs\2-1 e\1-4 >4 < e\4-3 gs\3-2 cs\2-1 e\1-4 >4	| % measure 9 / 11

      \grace < e\4-3 gs\3-2 cs\2-1 e\1-4 >8 \glissando < d\4-3 fs\3-2 b\2-1 d\1-4 >4 < d\4-3 fs\3-2 b\2-1 d\1-4 >4
      < d\4-3 fs\3-2 b\2-1 d\1-4 >4 < d\4-3 fs\3-2 b\2-1 d\1-4 >8 < d\4-3 fs\3-2 b\2-1 d\1-4 >8				| % measure 10 / 12
    }

    \grace < a\4-3 cs\3-2 fs\2-1 a\1-4 >8 \glissando < b\4-3 ds\3-2 gs\2-1 b\1-4 >4 < b\4-3 ds\3-2 gs\2-1 b\1-4 >4
    \grace < a\4-3 cs\3-2 fs\2-1 a\1-4 >8 \glissando < b\4-3 ds\3-2 gs\2-1 b\1-4 >4 < b\4-3 ds\3-2 gs\2-1 b\1-4 >4	| % measure 13

    \grace < b\4-3 ds\3-2 gs\2-1 b\1-4 >8 \glissando < a\4-3 cs\3-2 fs\2-1 a\1-4 >4 < a\4-3 cs\3-2 fs\2-1 a\1-4 >4
    < a\4-3 cs\3-2 fs\2-1 a\1-4 >4 < a\4-3 cs\3-2 fs\2-1 a\1-4 >8 < a\4-3 cs\3-2 fs\2-1 a\1-4 >8			| % measure 14
    \break

    \grace < a\4-3 cs\3-2 fs\2-1 a\1-4 >8 \glissando < b\4-3 ds\3-2 gs\2-1 b\1-4 >4 < b\4-3 ds\3-2 gs\2-1 b\1-4 >4
    \grace < b\4-3 ds\3-2 gs\2-1 b\1-4 >8 \glissando < a\4-3 cs\3-2 fs\2-1 a\1-4 >4 < a\4-3 cs\3-2 fs\2-1 a\1-4 >4	| % measure 15

    < e,\6 b'\5-1 >4 < e\6 b'\5-1 >4 < e\6 cs'\5-3 >4 < e\6 cs'\5-3 >4							| % measure 16

    < e\6 d'\5-4 >4 < e\6 d'\5-4 >4
    < e\6 cs'\5-3 >4 \tuplet 3/2 { \bendOn ( < e'\4-1 >8 ) ( < eqs\4-1 >8 ) ( < e\4-1 >8 ) \bendOff }			| % measure 17

    < e,\6 b'\5-1 >4 < e\6 b'\5-1 >4 < e\6 cs'\5-3 >4 < e\6 cs'\5-3 >4							| % measure 18

    < e\6 d'\5-4 >4 < e\6 d'\5-4 >4 < e\6 cs'\5-3 >4 r4									| % measure 19
  }
}


\book {
  \paper {
    #(set-paper-size "arch a")

    system-system-spacing = #'((basic-distance . 0.1) (padding . 4))

    indent = 0
    ragged-right = ##f
    ragged-bottom = ##f
    ragged-last-bottom= ##t
  }

  \score {
    <<
      \new ChordNames = "cn"	\chord_part
      \new Voice = "vo"		\melody_part
      \new Lyrics		\verse_one_part
      \new Lyrics		\verse_two_part
      \new Lyrics		\verse_three_part
      \new Lyrics		\verse_four_part

    >>
    \layout {
      % #(layout-set-staff-size 16)
      \omit Voice.StringNumber
      \context {
	\Staff \RemoveAllEmptyStaves
      }
    }
    \midi { }
  }

  \pageBreak

  \score {
    <<
      \new Voice { \solo_part }
      \new TabStaff { \solo_part }
    >>
    \layout {
      % #(layout-set-staff-size 16)
      \omit Voice.StringNumber
      \context {
	\Staff \RemoveAllEmptyStaves
      }
    }
    \midi { }
  }

}