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Re: workflow advice: avoiding wrong octave errors?
From: |
mason |
Subject: |
Re: workflow advice: avoiding wrong octave errors? |
Date: |
Fri, 23 Aug 2019 15:23:50 -0700 |
User-agent: |
NeoMutt/20180716-346-437793-dirty |
Thanks Kieren,
On 08/23, Kieren MacMillan wrote:
> My primary suggestion: use absolute instead of relative note entry, and you
> will never have incorrect octavation again. :)
I thought of that, but my worry is that I'll still make octave errors,
but each will result in one transposed note instead of a transposed
phrase, which might be even less apparent than proofreading. I also find
relative note entry to be more intuitive and human readable. Maybe it
wouldn't be so bad if I got used to it though.
> My secondary suggestion: to make entry fast and super-accurate, use MIDI
> entry if possible.
I have never looked into MIDI entry for Lilypond. I was never fond of it
back when I used Sibelius, because correcting things like the spelling
of accidentals became more trouble than it was worth. A quick search
finds this,[1] which likes like it has the potential for a reasonable
workflow. What's your experience with MIDI entry?
> If you stick with relative note entry, then perhaps use octave checks
> regularly?
Now that I know about octave checks I'm going to start using them and
see if that's enough to avoid octave errors. Depending on how that goes
I might try out absolute or MIDI entry next.
Mason
[1] https://github.com/jurihock/lilyfrog
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