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Re: How to work with large orchestral1 projects
From: |
Urs Liska |
Subject: |
Re: How to work with large orchestral1 projects |
Date: |
Sun, 21 Feb 2016 08:56:42 +0100 |
User-agent: |
K-9 Mail for Android |
Am 21. Februar 2016 08:25:22 MEZ, schrieb Carl-Henrik Buschmann
<address@hidden>:
>I found that it was
>\slashedGrace {b8}
>that caused the whole double time signature thing. I can only assume it
>is a bug. I still need a acciaccatura though. Any thoughts?
This is one of the *oldest* and most embarassing bugs, yes.
What you need to do is put a grace construct in *every* context, using spacer
tests to make it invisible. E.g. \grace s8
HTH
Urs
>
>
>Med vennlig hilsen,
>Carl-Henrik Buschmann
>Lektor
>
>
>> 20. feb. 2016 kl. 22.02 skrev Carl-Henrik Buschmann
><address@hidden>:
>>
>> Hi guys,
>>
>> I'm trying to learn how to use lilypond to typeset orchestral
>material. Handling large projects is fun but good documentation
>regarding this is hard to come by. I'm still a lilypond novice and my
>Google-Fu has let me down, I need help.
>>
>> I'm using my own orchestration which i engraved in Sibelius a while
>back.
>>
>> This is my original sibelius score i.e.: the "ideal":
>> http://i.imgur.com/fIQJN8v.png <http://i.imgur.com/fIQJN8v.png>
>>
>> And this is my lilypond output so far:
>> http://i.imgur.com/g2OL258.png <http://i.imgur.com/g2OL258.png>
>>
>> 2) This is the wierdest thing. Double up of time, clef and tempo,
>what is on earth have i done wrong?
>>
>
>
>
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