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Re: Rehearsal marks and linebreaks

From: Mats Bengtsson
Subject: Re: Rehearsal marks and linebreaks
Date: Thu, 14 Jun 2001 16:21:06 +0200

Did you read the on-line FAQ entitled "How do I get a 
fermata on a barline"? I think it gives an answer to 
your request.


> Hi folks,
> I'm sorry to say that I have to nag again. This time it's the rehearsal marks,
> in particular the segno and coda signs.
> If there is a linebreak at the position of the segno or coda sign, you should
> have a choice if the sign is placed at the end of the upper line or the
> beginning of the next line (because the first coda, the "jump-down signal",
> should be at the end of the line, as well as the 2nd segno ("jump-up"). The 
> 2nd
> coda and 1st segno signs ("jump-to-here") get placed correctly at the 
> beginning
> of their respective lines.
> I hope I expressed myself well, by first and second sign I mean their sequence
> of occurrence in the music text read top-to-bottom.
> Best regards,
> Amy

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