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Re: <<aes,2. \\ {s4 ees2} \\ {s2 bes4}>>


From: Gianmaria Lari
Subject: Re: <<aes,2. \\ {s4 ees2} \\ {s2 bes4}>>
Date: Fri, 4 Jan 2019 13:52:25 +0100

> Yes it's wrong but I think it is used because it better complies with the need to be easy to write it and to be less "dense" (and then someway easier to read) than traditional/correct way. Maybe the composer could add a small footnote but in my (not expert) opinion it is a very good solution. For example I found ugly and "difficult" to read the bass part of the BWV846 (c major prelude).

Disagreed.

Maybe you're too trained :)))

[...]
 
> What's the equal sign? never saw before.

http://lilypond.org/doc/v2.19/Documentation/notation/expressive-marks-as-curves#slurs

Thank you!
 
>
> What's about this?
>
> \version "2.19.82"
> \score {
>
> {
> \time 3/4 \clef bass \key aes \major
>  << {\hideNotes aes,2.} \\ {\hideNotes s4 ees2} \\ {\hideNotes s2 bes4} \\ {aes,2.*1/3( ees2*1/2 bes4) }>> }
> \layout {}
> \midi {}
> }

A dot is missing.
That's because the two dots are of the two aes2. are joined into one
single dot. Which is hidden by \hideNotes.

Yes I saw the problem :( But I don't understand why it happens only with the dot and not also with the aes note.....

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