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From: | Werner LEMBERG |
Subject: | Re: Is lilypond really suitable for composing? |
Date: | Sun, 25 Mar 2018 20:39:01 +0200 (CEST) |
>> I think it's likely rather hard to compose dissonant pieces without >> access to the actual timbre (and thus overtone composition) used >> for playing it. > > Apparently you haven’t been to any new classical music concerts in > the last half-century. It’s *quite* clear that many composers — > especially inexperienced ones — have no problem composing dissonant > pieces without access to the the actual timbre and overtone > composition of the music they’re writing. Hehehehe! How true :-) Werner
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