|
From: | Blöchl Bernhard |
Subject: | Re: Lining up notes in staves with different rhythms and time signatures |
Date: | Fri, 21 Aug 2015 21:28:51 +0200 |
User-agent: | Roundcube Webmail/0.9.5 |
If Rachmaninoff would have used lilypond that would not have happened!But may be he was a nice guy and did it just to give some brilliant interprets a chance?
His No. 1 in F minor shifts unsteadily throughout in time signature from 2/4, 3/4, 4/4, 5/4, and 3/2. It is sayed Rachmaninoff played Frédéric Chopin's Étude Op. 25, No. 4, while writing this étude.
Anyway, just breaking rules does not automatically make a genius - I already tried that!
Am 21.08.2015 20:56, schrieb Malte Meyn:
Am 21.08.2015 um 20:45 schrieb Blöchl Bernhard:Interesting! New rules for basics of music.I think this is too bold an assumption. It may very well be that thereis one 3/4 measure here, and I would trust the original typeset here.Not every time signature change is printed in every music. Even if you see it as a “basic rule”. See for example the last one of Rachmaninov’s Etudes-Tableaux. Rachmaninov knew what he did. _______________________________________________ lilypond-user mailing list address@hidden https://lists.gnu.org/mailman/listinfo/lilypond-user
[Prev in Thread] | Current Thread | [Next in Thread] |