Hello Ming,
here’s the best I could come up with. I remember that in
hand-engraved scores, this is resolved by shifting the two notes
further apart and placing the dots close to each one, which I now
mimicked, albeit very poorly: the dot placement looks very odd now.
Perhaps you’ll want to fiddle with extra-offset more, adjusting also
the Y value (which I didn’t; you may also make the music function
take it as another argument – see the Extending Manual on
explanations), so it will look good.
HTH, Simon
Am 26.03.2015 um 16:26 schrieb MING
TSANG:
Adnrew,
Sorry, I
choose the wrong word here.
I was
hoping that the dot will be displayed closer to the notehead.
e.g. 1st bar of bass staff, the dot of quarter note be
displayed closer to quarter note , now it line up with the
half note. This is more evident on bar3.
Immanuel,
Ming
I am not
convinced the dots look awful. It’s perfectly
legible to me - just highly dotted notation. What
do you mean by awful, exactly?
Andrew
Lilyponders:
how
to solve
the dots after notehead and tie collides.
1.
tie
collide with notehead -- treble staff sample
2.
place
of dots look awful and not clear - refer to
bass staff
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