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Re: sus7 chords in \chordmode
From: |
Kieren MacMillan |
Subject: |
Re: sus7 chords in \chordmode |
Date: |
Mon, 26 Jan 2015 23:06:56 -0500 |
Hi Elaine,
> Precisely my point: we DON'T have a dominant chord here. The starting
> assumption is wrong.
To every player I’ve ever played with — and that’s a lot, in both jazz and
musical theatre bands — the chord <c f g bf> is a dominant 7th with alteration.
> Yet, when this symbol is "sus", you want to say that the sus modifies what
> comes after it. Why the discrepancy?
There is no discrepancy at all: “Amin” implies “a triad, built on A, in the
minor mode”; “Asus4” implies “a triad, built on A, with a suspended 4th”;
“A7sus4” implies “a dominant seventh chord, built on A, with a suspended 4th” —
completely consistent. In the latter two cases, “sus” modifies the chord that
comes before it (i.e., the major or minor triad, or dominant 7), just like the
“min” modifies the chord that comes before it in the first case.
Cheers,
Kieren.
_______________________
Kieren MacMillan, composer
www: <http://www.kierenmacmillan.info>
email: address@hidden
- Re: sus7 chords in \chordmode, (continued)
- Re: sus7 chords in \chordmode, Kieren MacMillan, 2015/01/26
- Re: sus7 chords in \chordmode, Flaming Hakama by Elaine, 2015/01/26
- Re: sus7 chords in \chordmode, Kevin Barry, 2015/01/26
- Re: sus7 chords in \chordmode, Tim McNamara, 2015/01/26
- Re: sus7 chords in \chordmode, Brett Duncan, 2015/01/26
- Re: sus7 chords in \chordmode, Kevin Barry, 2015/01/26
- Re: sus7 chords in \chordmode, Kieren MacMillan, 2015/01/26
- Re: sus7 chords in \chordmode, Kieren MacMillan, 2015/01/26
- Re: sus7 chords in \chordmode, Richard Shann, 2015/01/27
- Re: sus7 chords in \chordmode, Kieren MacMillan, 2015/01/26
- Re: sus7 chords in \chordmode,
Kieren MacMillan <=
- Re: sus7 chords in \chordmode, Kieren MacMillan, 2015/01/26
- Re: sus7 chords in \chordmode, Kieren MacMillan, 2015/01/26
Re: sus7 chords in \chordmode, Flaming Hakama by Elaine, 2015/01/27