\version "2.18.2" \paper { left-margin = 18\mm right-margin = 16\mm top-margin = 15\mm bottom-margin = 13\mm ragged-last-bottom = ##t ragged-bottom = ##f %max-systems-per-page = #3 print-all-headers = ##t first-page-number = #2 %{ #(define fonts (set-global-fonts #:music "cadence" )) %} } \header { title = ##f composer = ##f subtitle = ##f subsubtitle = ##f tagline = ##f } galoubetCAD = \relative c'' { \cadenzaOn \override TupletBracket.bracket-visibility = #'if-no-beam %------ les espacements sont placés pour le conducteur --------% g1\trill~ g16[ a bes es] g,([ fis) f c'] es,1\trill~ es16[ a bes es] g,([ fis) f c'] \set subdivideBeams= ##t \set baseMoment = #(ly:make-moment 1/8) \set beatStructure = #'(2 2 2) es,1\trill~ es8.[ g16] \times 2/3 { a[ g a } \times 2/3 { c a c] } es16[ r32 c g'8]~ g16[ es32( f) g16. es32] g8.[ es32( f)] g8 r \override Script.padding = #0.8 \set subdivideBeams = ##f a,4~ a16[ gis' a, gis'] \times 4/5 {a,[ gis' a, gis' a,]~ } \once \override NoteColumn.X-offset = #0.8 \stemUp a4~ a16[ bes c cis] \stemNeutral g'[ bes, e c] a4~ a16[ gis' a, gis'] \times 4/7 {a,[ gis' a, gis' a, gis' a,]~ } \once \override NoteColumn.X-offset = #0.8 \stemUp a4~ a16[ bes c cis] \stemNeutral \set subdivideBeams = ##t g'[ bes, \times 2/3 { e! c a] } g[ ges \times 2/3 { f c' b] } es,!4. g8 \times 2/3 { bes16[ g bes } \times 2/3 { d bes d] } g16.[ es32 a8]~ \times 2/3 { a16[ g es } \times 2/3 { a16 g es] } a8--[ g--] es4-- a,8[\pp g] es2 \override Glissando #'style = #'trill \once \override Glissando #'(bound-details right Y) = #-0.7 \once \override Score.FootnoteItem #'annotation-line = ##f \footnote \markup \smaller "*" #'(3.5 . 0.1) \markup { \super "*" \italic \tiny "Battement. S'exécute comme un trille avec un fa dièse très haut." } g2\glissando \once \override NoteColumn.glissando-skip = ##t \hideNotes r1. \unHideNotes \times 2/3 { bes8[ a es'] } bes[ a] \times 2/3 { es[ f g ] } a16[ bes a8]~ \once \override NoteColumn.X-offset = #-2.5 a2 %\stemUp \grace { bes16[( c] } \stemNeutral \times 2/3 { bes8[) a es'] } bes[ a] \times 2/3 { es[ f g ] } \once \override Stem.details.beamed-lengths = #'(4 4 5) \stemDown a16[ \acciaccatura c8( \stemNeutral bes16) a8]~ a4~ a8[ bes] g16[( f) g8]~ g[ a] \once \slurDashed \override Script.padding = #1.5 \repeat tremolo 8 { f32_\fermata( a_\fermata) } f2 \override Script.padding = #0.8 \times 4/5 { cis'16[( d cis bes a g]) } c2 \times 2/3 { es8[( d) a'?] } es[ d] \times 2/3 { \override Stem.details.beamed-lengths = #'(3.4) as[ bes c] } \revert Stem.details.beamed-lengths d16[( es) d8]~ d4 \times 2/3 { es8[( d) a'?] } es[ d] \times 2/3 { \override Stem.details.beamed-lengths = #'(3.4) as![ bes c] } \revert Stem.details.beamed-lengths d16[ \acciaccatura f8 es16 d8]~ d4~ d8[ es] c16([ bes) c8]~ c[ d] bes16([ as!) bes8]~ bes4-\fermata bes32([ a) es'8.]~ es4 \times 2/3 { d16([ es d) } \times 2/3 { cis( d cis)] } c4 \times 2/3 { b16([ c b) } \times 2/3 { bes( c bes)] } \unset subdivideBeams g2~ g16[ a bes es] g,([ fis) f c'] es,1 \set subdivideBeams = ##t bes'32([ a) es'8.]~ es4 \times 2/3 { d16([ es d) } \times 2/3 { cis( d cis)] } c4 \times 2/3 { b16([ c b) } \times 2/3 { bes( c bes)] } \unset subdivideBeams g2~ g16[ a bes es] \grace { g16[( a] } \times 4/6 { g--)([ fis-- f-- c-- b-- bes--)] } \times 4/6 { es--([ g,-- fis-- f--c'-- b--)]} \set subdivideBeams = ##t es,?4. g8 \times 2/3 { a16[ g a } \times 2/3 { c a c] } \afterGrace es2\( { \stemDown f16[ fis]\)} \stemNeutral g8-. r \once \override NoteColumn #'X-offset = #1.5 f2 \times 2/3 { es16[ f es} \times 2/3 { bes es bes] } f2 \times 2/3 { es16[ f es} \times 2/3{ bes' es, bes'] } f'2 \times 2/3 { es16[ f es} \times 2/3 { bes es bes] } f2 \times 2/3 { es16[ f es} \times 2/3 { bes' es, bes'] } f'16.[ g32 g8]~ g4 g2 \times 2/3 { f16[ g f} \times 2/3 { c f c] } g2 \times 2/3 { f16[ g f} \times 2/3{ c' f, c'] } g'2 \times 2/3 { f16[ g f} \times 2/3 { c f c] } g2 \times 2/3 { f16[ g f} \times 2/3{ c' f, c'] } \unset subdivideBeams \times 4/7 { g'32[( f es d c bes a) } g8]~ g4~ g16.[ f32 a16. f32] g4~ g16.[ f32 a16. f32] g4~ g16[a bes es] g,([ fis) f c'] es,2 %\once \override TupletNumber.text = #(tuplet-number::non-default-fraction-with-notes 7 "32" 1 "4") \once \override TupletNumber.text = #tuplet-number::calc-fraction-text \times 8/7 { es32([ f g a bes c d)]} \once \override NoteColumn.X-offset = #1 c1\trill~ \times 4/5 { c16[ d( es d es)] } as[ c, b bes] \times 2/3 { a!8[ es' g,]~ } g2~ \times 4/5 { g16[ d'( es d es)] } as![ c, b bes] \once \override TupletBracket.bracket-visibility = ##t \once \set subdivideBeams = ##t \once \set baseMoment = #(ly:make-moment 1/8) \once \set beatStructure = #'(1 1 1) \tuplet 3/2 { a!16([ gis) es' r g,8]~ } g4~ g8[ a] \times 2/3 { c[ a c] } \override Stem.details.beamed-lengths = #'(3.6) es16[ d c es] g[ f es g] \revert Stem.details.beamed-lengths a32[-. a-. a16-. g8] es4 a,32\pp[-. a-. a16-. g8] es2-\fermata \once \override TupletNumber.text = #tuplet-number::calc-fraction-text \times 8/7 { f32([ g a bes c d es)] } f16.[ g32 g8]~ g16[ f-. c-. bes-.] f16.[ g32 g8]~ g16[ f-. bes-. c-.] f16.[ g32 g8]~ g16[ f-. bes-. g-.] c,16.[ g32 g8]~ g16[ a bes c] d16.[ e32 e8]~ e16[ d bes a] es!16.[ f32 f8]~ \once \override TupletNumber.text = #tuplet-number::calc-fraction-text \times 8/7 { f32[ es( f g a bes c)] } d16.[ e32 e8]~ e16[ d-- e-- f--] \once \override TupletNumber.text = #tuplet-number::calc-fraction-text \times 8/9 { g32([ f es d c bes a g f)] } es16.[ f32 f8]~ f16[ es bes' c] \once \override NoteColumn.X-offset = #1.6 r4\fermata r8 es, bes'[ c] \once \override TupletNumber.text = #tuplet-number::calc-fraction-text \once \override TupletBracket.bracket-visibility = ##t \once \override NoteColumn.X-offset = #1 \once \override TupletBracket.direction = 1 \times 2/3 { g'8[\f \once \override TupletBracket.bracket-visibility = ##f \times 2/3 { fis16( g fis) } es8]~ } \once \override TupletBracket.bracket-visibility = ##t \times 2/3 { es32[ d( es d) cis8 bes] } \times 2/3 { a[ \stemDown \acciaccatura cis!( \stemNeutral bes)) a]~ } a4~ a8[ bes] cis![ d] es4. fis!8 es[ d] a4. bes8 a[ bes] a4. bes8 a[ bes] r4 bes32([ a) g'8.->]~ g4~ g16[ f \acciaccatura a8( g16) f] \times 2/3 { c8[ \acciaccatura es( d) c] } bes32[ a g8.]~ g4~ g16[ f' \acciaccatura a8( g16) f] \times 2/3 { c8[ \acciaccatura es( d) c] } bes32[ a g8.]~ g16.[ f32 a16. f32] g4~ g16.[ f32 a16. f32] \set subdivideBeams = ##t g2\fermata~ g16[ f-\< \times 2/3 { a c es] } g8-.\! r8 \cadenzaOff } globalCAD = { \cadenzaOn \key fis \minor \once \omit Score.TimeSignature \tempo "Très librement" s1*5 s2 \bar "!" \override Staff.RehearsalMark.break-visibility = #begin-of-line-invisible \mark \markup { \musicglyph #"scripts.ufermata" } s1*4 \bar "" s1 s2 s4 \bar "!" \mark \markup { \musicglyph #"scripts.ufermata" } \noBreak \tweak #'self-alignment-X #-1.25 \tempo "Plus doux" s1*6 s2 \bar "!" \mark \markup { \musicglyph #"scripts.ufermata" } \tempo "En s'exaltant peu à peu" s1*4 \tempo "Rit." s2 \bar "!" \tempo "Brusque" s1*3 s4 \bar "!" \mark \markup { \musicglyph #"scripts.ufermata" } \noBreak s1 s2. \bar "" s1*2 s4 \bar "!" \mark \markup { \musicglyph #"scripts.ufermata" } \noBreak s1*2 \bar "" s1 s2 \bar "!" \noBreak s1*3 s2. \bar "!" %%%%%%%%%%%%%%% problem here %%%%%%%%%%%%%% s2.*2 s4 \bar "!" \noBreak s1*2 s2. \bar "" s1*3 \bar "!" \noBreak \tempo "Plus calme" s1 s4 \bar "" s1*3 s2 \bar "" s2 \bar "!" \mark \markup { \musicglyph #"scripts.ufermata" } \noBreak s1*4 \bar "!" \mark \markup { \musicglyph #"scripts.ufermata" } s1*4 \bar "||" \mark \markup { \musicglyph #"scripts.ufermata" } \break \cadenzaOff } galoubet = \relative c'' { \repeat unfold 2{ \repeat unfold 2 { c16 d es8 d c16 d bes8 | % 1;3;6;8 c16 d es8 d c16 d bes d | % 2;4;7;9 } c4 | % 5;10 } c8 es g f bes, | % 11 c es g f16 es d8 | % 12 c es g f bes, | % 13 c16 d es8 d c16 d bes8 | % 14 c16 d es8 d c16 d bes d | % 15 c4 | % 16 f8 es bes a c | % 17 es, f g a c | % 18 f es bes a c | % 19 es, f g a bes | % 20 d16. e32 e8~ e d bes | % 21 \repeat unfold 2 { g16. a32 a8~ a g a | % 22-23 } f' es bes a c | % 24 es, f g a bes | % 25 c16. d32 d8~ d c as! | % 26 f16. g32 g8~ g f g | % 27 f16. g32 g8~ g f g | % 28 bes4 d c8 bes f4 g4. | % 29 bes4 d bes8 c g'4~ g4. | % 30 f4 es c g8 bes c d4 | % 31 c4 d f, g4~ g4 r8 | % 32 \repeat unfold 2 { g16 a bes8 a g16 a f8 | % 33;35 g16 a bes8 a g16 a f a | % 34;36 } g4 | % 37 g8 bes d c f, | % 38 g bes d c16 bes a8 | % 39 g bes d c f, | % 40 g16 a bes8 a g16 a f8 | % 41 g16 a bes8 a g16 a f a | % 42 g4 | % 43 g8 c16 b as b g8 f16 g | % 44 g8 c16 b as b g8 f16 g | % 45 g as b c d es fis g a8 | % 46 f, f16 f f8 f16 g es g | % 47 f8 f16 f f8 f16 g es g | % 48 f g as bes c des es f g8 | % 49 d! d16 d d8 d16 es c es | % 50 d8 d16 d d8 d16 es c es | % 51 d8 g16 fis es fis d8 c16 d | % 52 d8 g16 fis es fis d8 c16 d | % 53 \repeat unfold 2 { d8 e16 f e d e8 c | % 54;56 d e16 f e d e8 c16 e | % 55;57 } d4~ d4 r8 | % 58 \override TupletBracket.bracket-visibility = ##f \repeat unfold 2 { g \times 2/3 { f16( g f) } c8 b16 c d8 | % 59;61 f, \times 2/3 { g16( f g) } a b c d e f | % 60;62 } g16. a32 a8~ a g es | % 63 c16. d32 d8~ d c es | % 64 g16. a32 a8~ a g es | % 65 c16. d32 d8~ d c d | % 66 c16. d32 d8~ d c d | % 67 \repeat unfold 2 { c es d4 bes8 | % 68;70 c es d c bes | % 69;71 } \repeat unfold 2 { c bes16 a g8 a bes | % 72-73 } \repeat unfold 2 { c c16 es c8. es16 c8 | % 74-75 } r8 \times 2/3 { bes'16 bes bes } ces8 c,! r8 | % 76 } global = { \key b \minor \tempo "Allegro" 8=208 \time #'(2 3) 5/8 \repeat unfold 4 { \grace s8 s4 s4. } \time #'(2) 2/8 \grace s8 s4 \time #'(2 3) 5/8 \repeat unfold 4 { \grace s8 s4 s4. } \time #'(2) 2/8 \grace s8 s4 \time #'(2 3) 5/8 \repeat unfold 5 { s4 s4. } \time #'(2) 2/8 \grace s8 s4 \mark \markup { \musicglyph #"scripts.ushortfermata" } \time #'(2 3) 5/8 \repeat unfold 11 { s4 s4. } s4 \tempo "Rit." s4. \time #'(3 3 2 3) 11/8 \tempo "A tempo" s1 s4. s1 s4. \set Timing.beatStructure = #'(3 3 3 2) s1 s4. \set Timing.beatStructure = #'(3 3 2 3) s2. \tempo "Cédez" s2 s8 \time #'(2 3) 5/8 \tempo "A tempo" \repeat unfold 4 { \grace s8 s4 s4. } \time #'(2) 2/8 \grace s8 s4 \time #'(2 3) 5/8 \repeat unfold 3 { s4 s4. } \repeat unfold 2 { \grace s8 s4 s4. } \time #'(2) 2/8 s4 \time #'(2 3) 5/8 \repeat unfold 14 { s4 s4. } s4 \tempo "Cédez" s4. \tempo "A tempo" \repeat unfold 9 { s4 s4. } \once \override Staff.RehearsalMark.break-visibility = #begin-of-line-invisible \mark \markup { \musicglyph #"scripts.ushortfermata" } \tempo "Marqué" \repeat unfold 8 { s4 s4. } \set Timing.beatStructure = #'(3 2) s4 s4. \bar "|." } \score { << \new StaffGroup \with { instrumentName = \markup { \center-column { \smaller "Gal.-tamb." \line { \tiny "en Si" } } } fontSize = #-4 \override StaffSymbol #'staff-space = #(magstep -4) } << \set StaffGroup.systemStartDelimiter = #'SystemStartBrace \new Staff \with { %\remove "Bar_number_engraver" } { << \new Voice { \relative { \transpose g g \galoubetCAD } } \new Voice { \relative { \transpose fis g \globalCAD } } >> << \transpose g g \galoubet \transpose fis g \global >> } >> >> } \layout { %indent = 2 \cm \context { \Score \remove "Bar_number_engraver" %\consists "Span_bar_engraver" \remove "Mark_engraver" \remove "Metronome_mark_engraver" \override StaffGrouper #'staff-staff-spacing #'padding = #3 \override StaffGrouper #'staff-staff-spacing #'basic-distance = #6 \override StaffGrouper #'staffgroup-staff-spacing #'basic-distance = #8 \RemoveEmptyStaves } \context { \Staff \consists "Mark_engraver" \consists "Metronome_mark_engraver" \consists "Bar_number_engraver" } \context { \Voice \override Glissando #'breakable = ##t \override TupletNumber #'breakable = ##t \override TupletBracket #'breakable = ##t \remove "Forbid_line_break_engraver" } }