Re: Best practice with inconsistent "à 2"

[Urs Liska]

Am 07.08.2014 15:08, schrieb Alex Loomis:
> In my copy of Dvorak 8 the parts use a2 for isolated unison passages and double 
> stems for passages where the voices are also split at some point.

Oh, I didn't think of that possibility. I'll check to see if it makes 
sense. At least it sounds reasonable.

Thanks for the report (my pocket scores aren't at home that's why I 
didn#t look myself).

Urs

> On Aug 7, 2014, at 8:49 AM, Urs Liska <address@hidden> wrote:
>
> > Hi folks,
> >
> > I have a large romantic score in front of me. In the handwritten score the \partcombine 
> > stuff is done inconsistently for unisono sections: sometimes it's written as one voice 
> > with "à 2", sometimes as two voices, i.e. one notehead with stems up and down. 
> > So far I can't see any reason for this inconsistency.
> >
> > What would people with more experience with orchestral scores suggest:
> >
> > - transcribe everything as it is in the model?
> > - make it consistent:
> >   - use "à 2" always?
> >   - use voices always?
> >
> > Best
> > Urs
> >
> > _______________________________________________
> > lilypond-user mailing list
> > address@hidden
> > https://lists.gnu.org/mailman/listinfo/lilypond-user
>
> _______________________________________________
> lilypond-user mailing list
> address@hidden
> https://lists.gnu.org/mailman/listinfo/lilypond-user