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From: | Mike Dean |
Subject: | Re: A couple of questions that I'm having trouble finding how to do it in the manuals or in the LSR |
Date: | Mon, 24 Mar 2014 13:46:42 -0400 |
\tempo \markup { \bold "Lento Lontano, e molto legato"}
\mark \markup { "Chorale-like" }
Am 24.03.2014 15:45, schrieb Mike Dean:Hi Mike,
Hi Marc:
Thanks for the feedback!
please don't forget to reply to all, so that others can join the
discussion.Why two marks? You should have \tempo and \mark instead.
I have a further question lining up the two marks in question 5....
having implemented your suggestion has resulted in the "Chorale-like"
markup above the "Lento lontano..." and the latter is lined up with the
time sig, with the "Chorale-like" lined up with the edge of the staff...
Did you try changing the markup-system-spacing?
I'm still trying to get a handle on the paper sizing variables... I
found the ragged-bottom = ##t option, but it didn't add a couple of
blank lines before the \score block, so I'm not doing something quite right.
Did you actually *compile* the examples you provide?
More about polyphony...the part I am transcribing starts out in unison,
but abruptly switches into a polyphonic format.
What I have is this:
\score {
\relative c' {
| \time 4/4 c2.\) f,4\( |
e d a' g | \time 2/4 f g ( | \time 4/4 < f a >2. ) \) g4\( |
In which the polyphony starts in the 2/4 measure and ends with the
dotted half note in the next measure.
What I am having a trouble grasping is how to make the temporary
polyphony work...
Looking at the temporary polyphonic construct:
<< { \voiceOne … }
\new Voice { \voiceTwo … }
\oneVoice
So would that mean that I can do the following
<< { \voiceOne f4 g | \time 4/4 a2. }
\new Voice { \voiceTwo f4 g | \time 4/4 f2. }
\oneVoice g4
And would the temporary polyphony have to start at the beginning of a
measure?
r2 r4 << { \voiceOne d4\f | \time 2/4 d' bf \time 4/4 f2 }
\new voice { \voiceTwo d4 | \time 2/4 g d | \time 4/4 bf2 }
So I'm not sure where to put the hairpin diminuendo at the end of the\oneVoice r2
snippet, if it would have to go on voiceTwo...
It probably makes sense to start the polyphony at the beginning of a
measure.
You may also have a look at the << ... \\ ... >> shortcut for small
polyphonic parts.
HTH,
Marc
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