Re: Accordion symbols

[Urs Liska]

Am 23.09.2013 14:03, schrieb David Kastrup:
> Urs Liska <address@hidden> writes:
>
> > Hi list,
> >
> > could someone be so kind as to give me some _very_ short descriptions
> > of the eight accordion glyphs that can be seen in the table at the
> > beginning of
> > http://lilypondblog.org/wp-content/uploads/2013/09/accordion-glyphs-definition.pdf?
> >
> > They should be as short as to be fitting where now the "description"
> > dummy is.
> You are missing \accordionPush here.

Duh, it's RTFM
"The end of the definition is indicated by an empty line, therefore it 
is important that your file ends with an empty line, otherwise the last 
entry will be discarded."
Guess who wrote that FM?
<bang-head-against-wall>Arrrrrgh</bang-head-against-wall>

Seriously, this means I have to finally fix that script to work reliably!

> \accordionDiscant, \accordionFreeBass, \accordionStdBass are used in
> conjunction with \accordionDot to assemble registration symbols for
> discant registers, free bass registers, and standard bass registers
> respectively.  \accordionPush and \accordionPull are usually used above
> the staff to indicate change of bellow direction.  I don't know who
> would know how to use \accordionBayanBass (with dots?  or numbers?), and
> \accordionOldEE is a total mystery to me.

Thanks. If nobody comes up with a better explanation of the last two 
items I will invent something ;-)

Best
Urs