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Re: divisi parts and another general question
From: |
Sarah k Alawami |
Subject: |
Re: divisi parts and another general question |
Date: |
Sun, 3 Mar 2013 18:42:46 -0800 |
By george I think I'm getting it! Sorry to the rest of you have to watch me
jump for joy but "m sure by the time my final comes around I will be offering
advice rather then asking it lol! or maybe not. We'll see how hard the test is
in may.. Hopefully he will give me a week to do it not a few days like this 1
pager. Heha.
also I don't think he wants us to mess with the notes. He wants us to stick
with the ones in the book. and we would have parallel octaves if I did that and
that is a no no in classical theory. I could ask him about that though tomorrow
if I remember.
Tc all.
On Mar 3, 2013, at 6:21 PM, Roland Goretzki <address@hidden> wrote:
> Hello list, hello Sarah,
>
> You wrote:
>
>> Ok. it looks like the viola part needs to be device as these double
>> stops are not fun. here it is with the notes and cords with out taking
>> the divisi in to consideration.
>>
>> { c aes, g ees |
>> ees f <des ees> <c ees> | }
>
> The first note has to be g instead of c, because c is in the violin 2,
> and not playing the g in viola You would be missing it.
>
> The second note has to be "aes" instead of "aes," in relative mode,
> because "aes," and all the following notes would sound one octave lower.
>
>> so would I have to imply the double less then sign at the top to
>> indicate the divisi and the double back slash method for this? so it
>> would be something like
>>
>> <<
>> { c aes, g ees |
>> ees f {des ees} {c ees} | \\}
>
> First: I don't understand the double back slash here.
>
> Second: {des ees} ?? This would not sound at the same time.
> If You want des and ees sound at the same time, it's necessary
> to put in into <> e. g. <des ees>
>
>> single note safer that? Actually I won't be getting out of that divisi
>> for a while it looks like. so would I have to switch to then voice 1
>> and voice 2? if so that will be annoying. lol!
>
> The double back slash method is good for short divisi, that's right, and
> for longer it's better usind voice 1 and voice 2.
>
> In my opinion there are not enough need for divisi in the viola, so I'd
> always take the double back slash methode there.
>
> Best Regards Roland
>
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- Re: divisi parts and another general question, (continued)
- Re: divisi parts and another general question, Sarah k Alawami, 2013/03/03
- Re: divisi parts and another general question, Sarah k Alawami, 2013/03/03
- RE: divisi parts and another general question, Kieren MacMillan, 2013/03/02
- Re: divisi parts and another general question, David Kastrup, 2013/03/02
- RE: divisi parts and another general question, Kieren MacMillan, 2013/03/02
- Re: divisi parts and another general question, David Kastrup, 2013/03/03
- Re: divisi parts and another general question, Kieren MacMillan, 2013/03/03
- Re: divisi parts and another general question, David Kastrup, 2013/03/03
- Re: divisi parts and another general question, Sarah k Alawami, 2013/03/03
- Re: divisi parts and another general question, Roland Goretzki, 2013/03/03
- Re: divisi parts and another general question,
Sarah k Alawami <=
- General Relativity (was: divisi parts and another general question), David Kastrup, 2013/03/06
Re: divisi parts and another general question, Sarah k Alawami, 2013/03/02
- Re: divisi parts and another general question, Jethro Van Thuyne, 2013/03/02
- Re: divisi parts and another general question, Sarah k Alawami, 2013/03/02
- Why divisi? Re: divisi parts and another general question, Roland Goretzki, 2013/03/02
- Re: Why divisi? Re: divisi parts and another general question, Sarah k Alawami, 2013/03/02
- Re: Why divisi? Re: divisi parts and another general question, Roland Goretzki, 2013/03/02
- Re: Why divisi? Re: divisi parts and another general question, Sarah k Alawami, 2013/03/02