>Eluze wrote:
>> Villum Sejersen wrote:
>>
>> Separating out the voices instead of the chord construct seems to do
>> what you want:
>>
>> \version "2.15.6"
>> voiceA = { \slurUp e'( d') }
>> voiceB = { \tieUp c'~ c' }
>> voiceC = { \tieDown a ~ a }
>>
>> \new Staff <<
>> \time 2/2
>> \voiceA
>> \voiceB
>> \voiceC
>> >>>>
>>
>> Experimenting with various combinations of \tieUp / \tieDown give
>> slightly different results, but the slur and ties are attached to the
>> right notes.
>>
> it seems i can't get VoiceB (the c's) to have a tie going up (with version 2.15.5)!
Neither can I, at least not without any tweaks or overrides. :)
> this works in one voice (without to many tweaks)!
> {
> \tieDown
> \slurUp
> <e' c' -\tweak #'direction #1 ~ a ~ >>2( <d' c' a>> )
> }
>From a score-readability point-of-view Keith O'Hara's solution no.1 is clearly the best I have seen so far.
The following is yet another experiment, but without tweaks resulting in all stems down:
voiceD = { \stemUp e'^( d') }
voiceE = { \stemUp c'_~ c' }
voiceF = { \stemDown a ~ a }
\new Staff <<
\time 2/2
\voiceD
\voiceE
\voiceF
>>
> cheers
> Eluze
--
Yours, Villum Sejersen
Nørregade 1 A
DK-4500 Nykøbing Sj.
KOH1solution.png