Re: Dividing ties and adjusting ties in an arpeggiated chord

[-Eluze]

bruys . wrote:
> 
> Hello Again,
> 
> Part 2: If I put each part into a separate voice context, the ties are
> in the right direction, but otherwise it's a real mess.
> 
> 
i tried another approach starting from your original code:

since the tie of the d'' goes thru the fis'' it looks a bit funny if you
just hide the part colliding with the note - rather it is more appropriate
to start the tie under the fis'' on the correct pitch level.

my solution:

arpeggiatedchord = {
  \set tieWaitForNote = ##t % as notes intervene before the ties end
  \once \override Beam #'positions = #'(5.0 . 5.0) % raise beam to avoid
  \grace {
    \once \override Tie #'control-points = #'((1 . 1) (2 . 1) (5 . 2) (9.5 .
1.2))
    \once \override Tie  #'dash-definition = #'((0.0 0.3 0 0) (0.3 1.0 1 1))
    d''16_~ [
    fis''16~
    b'16^~
    d'16_~
    \once \override Tie  #'minimum-length = #2.5
    gis'16~
    ]  
  }
  \once \override Stem #'length = #'6.0
  <d'' fis'' b' d' gis'>4
}

\score {
  \arpeggiatedchord
}
http://old.nabble.com/file/p31358219/test.png 

of course there is a lot of manual work behind this!
Eluze
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