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Re: ignoring too many clashing note columns
From: |
James Bailey |
Subject: |
Re: ignoring too many clashing note columns |
Date: |
Sat, 11 Sep 2010 19:47:50 +0200 |
On Sep 11, 2010, at 6:39 PM, Helge Kruse wrote:
> Hello,
>
> I try to write a guitar score. In some measures I found small parts of
> polyphony. I tried to add temporarily a new voice, but I failed. The example
> below shows the intention. The second (commented) line gives nearly the same
> result and Lilypond doesn't show any error. But the g8 should be sound
> longer. That's why I want to tie it to a g4.
>
> Can I add this temporarily polyphony on demand or must it start at the first
> measure filled with lots of silent rests?
>
> Any suggestion is welcome.
>
>
> Helge
>
>
>
> \score
> {
> <<
> \relative c'' {
> c'8 b16 a~ a g16 g8~ << { g4 } \\ { fis8 e } >>
> % c'8 b16 a~ a g16 g8 fis8 e
> }
> \\
> \relative c' {
> a16 e'8. e e,16~e b''8 e,,16
> }
> >>
> }
Remember that you can't tie notes across voice contexts, so you can't use the
<<{}\\{}>> to tie the notes.
\score { << \new Voice { \voiceOne c8 b16 a~ a g16 g8~ << { \voiceOne g4 } \new
Voice { \voiceTwo fis8 e } >> } \new Voice { \voiceTwo a16 e'8. e e,16~ e b''8
e,,16 } >> }