lilypond-user
[Top][All Lists]
Advanced

[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]

no sound produce for bass staff


From: MING TSANG
Subject: no sound produce for bass staff
Date: Thu, 2 Sep 2010 06:02:05 -0700 (PDT)



----- Forwarded Message ----
From: MING TSANG <address@hidden>
To: address@hidden
Sent: Wed, September 1, 2010 12:07:34 PM
Subject: no sound produce for bass staff

The following is a new .ly file.  I am new to lilypond (I start to use lilypond three week ago). I have questions to ask for assistance:

1..  I did not hear panio left hand midi sound. Is there special options to set?
2.  Is it possible to hide no note measures ie. full staff.  Bar 1 to 16 only soprano melody? Other alto, tenor and bass are empty. Full choir music starts on bar 17 (ie SATB parts).  Please note in coding, I put 16 s1 for alto, tenor and bass so that choir (SATB) starts at bar 17.  
3.  I got waring message : 警告: Cannot find glyph accidentals.M2   Please refer to red text below. How to include Feta fonts? I thopught it is the default fonts for lilypond.
4. I will try \score block to generate choir parts. Marek:  Thank you for your kind assistance.  Is there any template for this?

Vít Baisa : I like your lilypond youtube idea.  It will be great for me as well.   I try to use lilypond to generate choir parts midi file for choir member to practice.  Visual display with midi will be great, particularly as youtube.  Please update me if you have successfully implement this. I would appreciate with thanks to adopt the same technique as well.

Below is my lilypond file:
<><><><><><><><><>
\version "2.12.0"

\header {
%  #(before-title-space 10\mm)    
  title = "主阿我要更愛你:More Love To Thee"
  subtitle = " "
  poet = "Zunda Chen"
  composer = "陳傳這 曲"
  meter = \markup { "B" \flat \musicglyph #"accidentals.M2" "4/4" }
 
  enteredby="ymingT"
  maintainer="ymingT"
  texidoc = ""
}

ignoreMelisma =    \set ignoreMelismata = ##t
ignoreMelismaOff = \unset ignoreMelismata

#(set-global-staff-size 23)

\paper  {
                %#(set-global-staff-size (* 5.8 mm))
  indent = #(* mm 0)
  line-width = #(* mm 180)
  interscoreline = 2.\mm
  between-system-space = 36\mm
  ragged-bottom = ##t
}
#(set-global-staff-size 23)
 
\include "english.ly"
TimeKey = { \time 4/4  \key g \minor }   % \partial 4
SopMusic   = \relative c' {
    R1^\markup{Andante Graccoso} | R1 | R1 | a'1\rest \fermata |                    %bar 01-04
    d,4^\markup{Soprano Solo or Soprano}  f4 bf4 d4 | d4. c8 c2 | f,4 a4 c4 ef4 | ef4. d8 d2 |         %bar 05-08
    f4. f8 ef(^\> d) c( bf) | a2 g2\! | ef'4. d8 c8(^\> bf8) a8( g8) | g2 f2\! |       %bar 09-12
    bf2^\markup{ cresc.} c4 bf4 | ef4. e8^\f f4. bf,8 |            %bar 13-14
        d2^\markup{ rit. }^\> c2\! | bf2.\fermata r4 |                %bar 15-16
        d4. d8 ef8 d8 c8 bf8 |                            %bar 17
        bf2 a2 |                                %bar 18
        ef'4. ef8 f8 ef8 d8 cs8 |                        %bar 19
        d2. r4 |                                %bar 20
        g4. d8 ef8 f8 ef8 d8 |                            %bar 21
        d2 g,2 |                                %bar 22
        c4. c8 bf8 bf8 a8 g8 | f2. r4 |                        %bar 23-24
              }
AltoMusic  = \relative c' {
    \override NoteHead #'color = #blue
    s1 s1 s1 s1 s1 s1 s1 s1 s1 s1 |                        %bar 01-10
    s1 s1 s1 s1 s1 s1 |                            %bar 11-16
    f4. f8 g8 f8 ef8 d8 |                            %bar 17
        f2 ef2 |                                %bar 18
        g4. g8 a8 g8 f8 f8 |                            %bar 19
        f2. s4 |                                %bar 20
        g4. g8 g8 g8 g8 g8 |                            %bar 21
        e2 ef2 |                                %bar 22
        e4. ef8 ef8 ef8 ef8 ef8 | f2. s4 |                    %bar 23-24
              }
TenorMusic = \relative c  {
    s1 s1 s1 s1 s1 s1 s1 s1 s1 s1 |                        %bar 01-10
    s1 s1 s1 s1 s1 s1 |                            %bar 11-16
    bf'4. bf8 bf bf bf bf | bf2 c2 |                    %bar 17-18
    c4. c8 c8 c8 bf8 a8 | bf2. r4 |                        %bar 19-20
    b4. bf8 bf8 bf8 bf8 d8 | c2 c2 |                    %bar 21-22
    g4. g8 g g g g | f2. r4 |                        %bar 23-24
                          }
BassMusic  = \relative c  {
    \override NoteHead #'color = #red
    s1 s1 s1 s1 s1 s1 s1 s1 s1 s1 |                        %bar 01-10
    s1 s1 s1 s1 s1 s1 |                            %bar 11-16
    bf4. bf8 bf bf bf bf | d2 f2 |                        %bar 17-18
    f4. f8 f8 f8 f8 f8 | bf,2. s4 |                        %bar 19-20
    g4. g8 g8 g8 g8 b8 | c2 c2 |                        %bar 21-22
    c4. c8 c c c c | d2. s4 |                        %bar 23-24
                 }

PianoRHand = \relative c' {
    << {d'8 bf8 ef8 d8 a'8 g8 bf8 a8} \\ {f,2\mf df'2} >> |            %bar 01
    << {c'8 bf8 a8 b8 c8 bf8 c8 cs8} \\ {d,2 ef2} >> |            %bar 02
    << {d'8 bf8 g8 f8 d8 bf8 g8 f8} \\ {f'2 f,2} >> |            %bar 03
    <ef f c'>2 <d f bf> |                            %bar 04 
        r8 d8 f d bf' f d' bf |                            %bar 05
        d8 ef,8 f8 a8 c8 a8 f8 ef8 |                        %bar 06
        f8 ef a f c' a ef c |                            %bar 07
        ef8 g a bf d bf f ef |                            %bar 08
        f'8 b, d f g f ef d |                            %bar 09
        c8 g a bf d c bf g |                             %bar 10
        ef'8 g, a bf a g f e |                             %bar 11
        g8 f e f d f df f |                             %bar 12
        d8 f bf f c' f, d' b |                            %bar 13
        ef8 bf c c d bf f f' |                            %bar 14
        d8 f, e f c' f, ef f |                            %bar 15
        bf8 f d f bf d f a |                             %bar 16
        <f, bf d>4.^( <f bf d>8 <g bf ef>8 <f bf d>8 <ef c'>8 <d bf'>8 |     %bar 17
        <bf f' bf>2 <ef f a>2) |                        %bar 18
        <g c ef>4.( <g c ef>8 <a c f>8 <g c ef>8 <f bf d>8 <f cs'>8 |        %bar 19
        <f bf d>2.) r4 |                            %bar 20
        <g b d g>4.( <g bf d>8 <g bf ef>8 <g bf f'>8 <g bf ef>8 <g d'>8 |    %bar 21
        <e c' d>2 <ef g>2) |                            %bar 22
        <e g c>4.^( <ef g c>8 <ef g bf>8 <ef g bf>8 <ef a>8 <ef g>8 |        %bar 23
        <a, c f>2.) r4 |                            %bar 24
                         }
PianoLHand = \relative c {
    bf'2 a2 | g2 gf2 | f2^\markup{poco rit.} f,2 |                %bar 01-03
    <a a'>2 <bf bf'>2 |                            %bar 04
    <bf' bf,>2.^\markup{a tempo} r4^\markup{sempre} |            %bar 05
    <f f,>2.^\markup{legato} r4 |                        %bar 06
    <a, a'>4 <c c'>4 <f, f'>2 |                        %bar 07
    <bf bf'>2. r4 |                                %bar 08
    <g g'>2. r4 | <ef' ef'>2 <e e'>2 |                     %bar 09-10
    <c c'>2 <df df'>2 | <a a'>2 <f f'>2 |                    %bar 11-12
    <bf bf'>2^\markup{ cresc. } <a a'>4 <g g'>4 |                %bar 13
    <gf gf'>2 <f f'>2 |                            %bar 14
    <f f'>2^\markup{rit.}^\> <a a'>2\! |                    %bar 15
    <bf bf'>2. r4 |                                %bar 16
    <bf, bf'>8 d'8_\markup{con Ped} f bf f bf f bf |            %bar 17
    <bf,, d'>8 f'' bf f <ef, f'> a' c a |                    %bar 18
    <f,, f'>8 f''8 a8 f8 a8 c8 f,8 a8 |                    %bar 19
    <bf,, b'>8 d'8 f8 bf8 d8 bf8 f8 d8 |                    %bar 20
    <g,, g'>8 g'' b g bf g a bf |                        %bar 21
    <c,, c'>8 g''8 c8 g <c,, c'>8 g''8 c8 g8 |                %bar 22
    <c,, c'>8 g'' bf g bf g a bf |                        %bar 23
    <f,, f'>8 c'' f c f ef d c |                        %bar 24   
                         }
                        
VerseOne   = \lyricmode {
主 啊! 我 要 | 更 愛 你, | 主 啊! 我 要 | 親 近 你 | 凡 事 照 主 |
指 示, | 合 主 你 的 | 旨 意, | 有 時 遭 | 遇 試 煉, 求 | 主 扶 持; |
懇 求 聖 靈 充 滿 | 心 內 | 忠 心 將 福 音 傳 | 開, | 雖 然 魔 鬼 設 計 |
陷 害, | 靠 我 主 永 不 失 | 敗, |
                        }
%VerseTwo   = \lyricmode { voice two  }
%VerseThree = \lyricmode { }
%VerseFour  = \lyricmode { |

\score {
  \new GrandStaff = "GrandStaff_score" <<   
    \new ChoirStaff <<
      \tempo 4 =  90
      \set Score.markFormatter = #format-mark-box-numbers
      \new Staff <<
        \override Score.BarNumber #'break-visibility = #'#(#t #t #t)
        \clef "treble"
        \new Voice = "Sop"  { \voiceOne  \TimeKey \SopMusic }
        \new Voice = "Alto" { \voiceTwo  \TimeKey \AltoMusic }
         \new Lyrics \lyricsto "Sop" { \VerseOne   }
%        \new Lyrics \lyricsto "Sop" { \VerseTwo   }
%        \new Lyrics \lyricsto "Sop" { \VerseThree }
%        \new Lyrics \lyricsto "Sop" { \VerseFour  }
      >>
      \new Staff <<
        \clef "bass"
        \new Voice = "Tenor" { \voiceOne \TimeKey \TenorMusic }
        \new Voice = "Bass"  { \voiceTwo \BassMusic  }
      >>
    >>
    \new PianoStaff <<
      \new Staff = "RH" { \TimeKey  \PianoRHand }
      \new Staff = "LH" { \TimeKey \clef bass \PianoLHand }
    >>
  >>
  \layout { }
  \midi { }
}

reply via email to

[Prev in Thread] Current Thread [Next in Thread]