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Re: elegant compound time signatures
From: |
Hans Aberg |
Subject: |
Re: elegant compound time signatures |
Date: |
Mon, 20 Oct 2008 12:57:36 +0200 |
On 20 Oct 2008, at 10:49, Trevor Daniels wrote:
I'm not familiar with the whole rhythmic requirement but this seems
to reproduce the second bar of the snippet correctly.
Unfortunately subdivideBeams still must be turned on/off manually
if the (2+2) pattern is required. The key is setting the
beatLength to 8 rather than the 16 derived from the time signature.
(As I'm currently reviewing the Rhythms section of the Notation
Reference this might be a useful example of using beatLength)
Yes, that gives the same output as in Graham's solution:
Both styles in my sheet music from the region.
A problem with the latter is it is going to be cumbersome to write
subdivideBeams changes in every measure.
So the ideal would be to have more general solution, that fixes these
things once for all. - It is complicated problem, though.
Hans
\version "2.11.62"
\relative c'' {
\time 11/16
#(override-auto-beam-setting '(end 1 16 11 16) 4 16)
#(override-auto-beam-setting '(end 1 16 11 16) 7 16)
\set beatLength = #(ly:make-moment 1 8)
c16 b a g
g f a
g8 f16 e
\set subdivideBeams = ##t
c'16 b a g
\unset subdivideBeams
g f a
g8 f16 e
}
- Re: elegant compound time signatures, (continued)
- Re: elegant compound time signatures, Hans Aberg, 2008/10/20
- Re: elegant compound time signatures, Graham Percival, 2008/10/20
- Re: elegant compound time signatures, Hans Aberg, 2008/10/20
- Re: elegant compound time signatures, Graham Percival, 2008/10/20
- Re: elegant compound time signatures, Hans Aberg, 2008/10/20
- Re: elegant compound time signatures, Graham Percival, 2008/10/20
- Re: elegant compound time signatures, Hans Aberg, 2008/10/20
- Re: elegant compound time signatures, Hans Aberg, 2008/10/20
- Re: elegant compound time signatures, Trevor Daniels, 2008/10/20
- Re: elegant compound time signatures, Graham Percival, 2008/10/20
- Re: elegant compound time signatures,
Hans Aberg <=