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Re: style sheet: dynamic {espr, dolce, legato}
From: |
Reinhold Kainhofer |
Subject: |
Re: style sheet: dynamic {espr, dolce, legato} |
Date: |
Thu, 25 Sep 2008 01:21:39 +0200 |
User-agent: |
KMail/1.9.10 |
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Am Dienstag, 23. September 2008 schrieb Mark Polesky:
> ----- Original Message ----
> From: Graham Percival <address.hidden>
> Sent: Tuesday, September 23, 2008 2:12:56 AM
>
> > I did my horizontal placement can be done with #:translate. What
> > snippet are you thinking of? I didn't realize there was enough
> > material to make an "exhaustive" study of the subject.
>
> http://lilypond.org/doc/v2.11/input/lsr/lilypond-snippets/Tweaks-and-overri
>des#horizontally-aligning-custom-dynamics-e.g.-sempre-pp,-piu-f,-subito-p.ly
>
> > The one tricky thing is the horizontal placement: for things like "mf
> > dolce", I wanted the "mf" aligned with the notehead. For something
> > like "sub p", should the "p" be aligned with the notehead, or should
> > the "sub" be aligned?
>
> The above-mentioned snippet argues that the dynamic should be aligned
> with the notehead,
Yes, for a "sempre pp" that's what both an old engraving from 189x and one
from 1996 do. Actually, one instrument has a p and all others have "sempre
pp". The p and pp are aligned with each other.
> not the italic-text, but intuitively that seems
> wrong to me. Perhaps it depends on the specific circumstance, but I'm
> thinking of something like "poco a poco piĆ¹ f". As a musician, I'd
> start "poco a poco"-ing as soon as the first word starts -- I wouldn't
> wait till the "f".
True, but then "poco a poco" is probably a bad example, as for me the "poco a
poco"-ing starts with the text, so you definitely shouldn't align the f on
the note (since the f does not affect the note, but it gradually evolved a
few notes later)
Imagine a "subito pp". If you are sight-reading such a mark, it's really easy
to miss the fact that the pp should start immedately at the spot
where "subito" is placed.
> That said, I wonder what the treatises have to say
> on the topic (eg. Gardner Read etc.).
Gardner Read is quiet on such dynamics with additional comments. However,
here's what he says in general about dynamic markings (p.252):
"In general, dynamic marks should be placed //as close as possible// to the
notes they affect -- if this position is consistent with over-all visual
clarity."
Cheers,
Reinhold
- --
- ------------------------------------------------------------------
Reinhold Kainhofer, Vienna University of Technology, Austria
email: address@hidden, http://reinhold.kainhofer.com/
* Financial and Actuarial Mathematics, TU Wien, http://www.fam.tuwien.ac.at/
* K Desktop Environment, http://www.kde.org, KOrganizer maintainer
* Chorvereinigung "Jung-Wien", http://www.jung-wien.at/
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- style sheet: dynamic {espr, dolce, legato}, Graham Percival, 2008/09/22
- Re: style sheet: dynamic {espr, dolce, legato}, Mark Polesky, 2008/09/23
- Re: style sheet: dynamic {espr, dolce, legato}, Mark Polesky, 2008/09/23
- Re: style sheet: dynamic {espr, dolce, legato},
Reinhold Kainhofer <=