lilypond-user
[Top][All Lists]
Advanced

[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]

Re: GDP: rearrangement (third attempt)


From: Rune Zedeler
Subject: Re: GDP: rearrangement (third attempt)
Date: Mon, 10 Sep 2007 02:50:53 +0200
User-agent: Thunderbird 1.5.0.12 (X11/20070604)

Graham Percival skrev:
Well, don't I feel like a complete newbie. :/ Does anybody know how to make Thunderbird treat text like pure bloody text, and not change the displayed text when it sends an email out? thanks in advance. :(

I don't know what you did wrong.
I just copypasted the below from your wiki-page (using thunderbird, yes):

   * 6 Basic musical notation
         o 6.1 Pitches
               + 6.1.1 Normal pitches
               + 6.1.2 Accidentals
               + 6.1.3 Cautionary accidentals
               + 6.1.4 Micro tones
               + 6.1.5 Note names in other languages
               + 6.1.6 Relative octaves
               + 6.1.7 Octave check
               + 6.1.8 Rests
               + 6.1.9 Skips
         o 6.2 Affecting multiple pitches
               + 6.2.1 Clef
               + 6.2.2 Key signature
               + 6.2.3 Transpose
               + 6.2.4 Instrument transpositions
               + 6.2.5 Ottava brackets
         o 6.3 Rhythms
               + 6.3.1 Durations
               + 6.3.2 Augmentation dots
               + 6.3.3 Tuplets
               + 6.3.4 Scaling durations
               + 6.3.5 Automatic note splitting
               + 6.3.6 Aligning to cadenzas
         o 6.4 Meter
               + 6.4.1 Time signature
               + 6.4.2 Partial measures
               + 6.4.3 Unmetered music
               + 6.4.4 Polymetric notation (alternating)
               + 6.4.5 Polymetric notation (simultaneous)
               + 6.4.6 Time administration
               + 6.4.7 Proportional notation (introduction)
               + 6.4.8 Automatic beams
               + 6.4.9 Manual beams
               + 6.4.10 Feathered beams
         o 6.5 Bars
               + 6.5.1 Bar check
               + 6.5.2 Barnumber check
               + 6.5.3 Multi measure rests
               + 6.5.4 Bar lines
               + 6.5.5 Bar numbers
               + 6.5.6 Rehearsal marks
         o 6.6 Polyphony
               + 6.6.1 Chords
               + 6.6.2 Stems
               + 6.6.3 Basic polyphony
               + 6.6.4 Explicitly instantiating voices
               + 6.6.5 Collision resolution
               + 6.6.6 Clusters
               + 6.6.7 Automatic part combining
               + 6.6.8 Writing music in parallel
   * 7 Decorating musical notation
         o 7.1 Connecting notes
               + 7.1.1 Ties
               + 7.1.2 Slurs
               + 7.1.3 Phrasing slurs
               + 7.1.4 Laissez vibrer ties
               + 7.1.5 Grace notes
               + 7.1.6 Analysis brackets
         o 7.2 Expressive marks
               + 7.2.1 Articulations
               + 7.2.2 Dynamics (absolute)
               + 7.2.3 Dynamics (crescendi)
               + 7.2.4 Breath marks
               + 7.2.5 Trills
               + 7.2.6 Glissando
               + 7.2.7 Arpeggio
               + 7.2.8 Falls and doits
         o 7.3 Staff notation
               + 7.3.1 System start delimiters
               + 7.3.2 Staff symbol
               + 7.3.3 Hiding staves
               + 7.3.4 Metronome marks
               + 7.3.5 Instrument names
               + 7.3.6 Quoting other voices
               + 7.3.7 Formatting cue notes
         o 7.4 Repeats
               + 7.4.1 Repeat types
               + 7.4.2 Repeat syntax
               + 7.4.3 Repeats and MIDI
               + 7.4.4 Manual repeat commands
               + 7.4.5 Tremolo repeats
               + 7.4.6 Tremolo subdivisions
               + 7.4.7 Measure repeats
         o 7.5 Educational use
               + 7.5.1 Balloon help
               + 7.5.2 Fingering instructions
               + 7.5.3 Blank music sheet
               + 7.5.4 Grid lines
               + 7.5.5 Shape note heads
               + 7.5.6 Easy Notation note heads
         o 7.6 Special use
               + 7.6.1 Special noteheads
               + 7.6.2 Improvisation
               + 7.6.3 Selecting notation font size
               + 7.6.4 Hidden notes
               + 7.6.5 Coloring objects
               + 7.6.6 Parentheses
   * 8 Instrument-specific notation
         o 8.1 Piano music
               + 8.1.1 Pedals
               + 8.1.2 Automatic staff changes
               + 8.1.3 Manual staff switches
               + 8.1.4 Staff switch lines
               + 8.1.5 Cross staff stems
         o 8.2 Chord names
               + 8.2.1 Introducing chord names
               + 8.2.2 Chords mode
               + 8.2.3 Printing chord names
               + 8.2.4 Figured bass
         o 8.3 Rhythmic music
               + 8.3.1 Showing melody rhythms
               + 8.3.2 Entering percussion
               + 8.3.3 Percussion staves
               + 8.3.4 Ghost notes
         o 8.4 Guitar
               + 8.4.1 String number indications
               + 8.4.2 Tablatures basic
               + 8.4.3 Non-guitar tablatures
               + 8.4.4 Banjo tablatures
               + 8.4.5 Fret diagrams
               + 8.4.6 Right hand fingerings
               + 8.4.7 Other guitar issues
         o 8.5 Bagpipe
               + 8.5.1 Bagpipe definitions
               + 8.5.2 Bagpipe example
         o 8.6 Bowed strings
               + 8.6.1 Artificial harmonics
         o 8.7 Ancient notation
               + 8.7.1 Ancient note heads
               + 8.7.2 Ancient accidentals
               + 8.7.3 Ancient rests
               + 8.7.4 Ancient clefs
               + 8.7.5 Ancient flags
               + 8.7.6 Ancient time signatures
               + 8.7.7 Ancient articulations
               + 8.7.8 Custodes
               + 8.7.9 Divisiones
               + 8.7.10 Ligatures
                     # 8.7.10.1 White mensural ligatures
                     # 8.7.10.2 Gregorian square neumes ligatures
               + 8.7.11 Gregorian Chant contexts
               + 8.7.12 Mensural contexts
               + 8.7.13 Musica ficta accidentals
   * 9 Text
         o 9.1 Text in a score
               + 9.1.1 Text scripts
               + 9.1.2 Text and line spanners
               + 9.1.3 Text spanners
               + 9.1.4 Text marks
         o 9.2 Text markup section
               + 9.2.1 Text markup
               + 9.2.2 Nested scores
               + 9.2.3 Page wrapping text
               + 9.2.4 Overview of text markup commands
               + 9.2.5 Overview of text markup list commands
               + 9.2.6 Font selection
               + 9.2.7 New dynamic marks
         o 9.3 Vocal music
               + 9.3.1 Setting simple songs
               + 9.3.2 Entering lyrics
               + 9.3.3 Aligning lyrics to a melody
                     # 9.3.3.1 Automatic syllable durations
                     # 9.3.3.2 Another way of entering lyrics
                     # 9.3.3.3 Assigning more than one syllable to a
                     # single note
                     # 9.3.3.4 More than one note on a single syllable
                     # 9.3.3.5 Extenders and hyphens
               + 9.3.4 Working with lyrics and identifiers
               + 9.3.5 Flexibility in placement
                     # 9.3.5.1 Lyrics to multiple notes of a melisma
                     # 9.3.5.2 Divisi lyrics
                     # 9.3.5.3 Switching the melody associated with a
                     # lyrics line
                     # 9.3.5.4 Lyrics independent of notes
               + 9.3.6 Spacing lyrics
               + 9.3.7 More about stanzas
                     # 9.3.7.1 Adding stanza numbers
                     # 9.3.7.2 Adding dynamics marks
                     # 9.3.7.3 Adding singer names
                     # 9.3.7.4 Printing stanzas at the end
                     # 9.3.7.5 Printing stanzas at the end in multiple
                     # columns
               + 9.3.8 Ambitus
               + 9.3.9 Other vocal issues
         o 9.4 Titles and headers
               + 9.4.1 Creating titles
               + 9.4.2 Custom titles
               + 9.4.3 Reference to page numbers
               + 9.4.4 Table of contents
   * 10 Input and output
         o 10.1 Input files
               + 10.1.1 File structure (introduction)
               + 10.1.2 File structure
               + 10.1.3 A single music expression
               + 10.1.4 Multiple scores in a book
               + 10.1.5 Extracting fragments of notation
               + 10.1.6 Including LilyPond files
               + 10.1.7 Different editions from one source
               + 10.1.8 Text encoding
         o 10.2 MIDI output
               + 10.2.1 Creating MIDI files
               + 10.2.2 MIDI block
               + 10.2.3 MIDI instrument names
         o 10.3 Displaying LilyPond notation
         o 10.4 Skipping corrected music
   * 11 Changing defaults

-Rune




reply via email to

[Prev in Thread] Current Thread [Next in Thread]