Re: initial acciaccatura confuses things?

[Mats Bengtsson]

This bug is described in the manual in the section on grace notes, 
together with an explanation on how to solve the problem.

  /Mats

Quoting Ed Ravin <address@hidden>:

> I am trying to transcribe a piano piece that beings with a grace note in
> the lower staff.
>
>  lower = \relative c, {
>           \clef bass
>           \key c \major
>           \time 4/4
>
>  %%%%%   e4 fs g a |
>           \acciaccatura bf,16 bf4   <d' f>4 <ef g>8 <f a> <g bf> <a c> |
>
>      }
>
> If I uncomment the "e4 fs g a |" line, then everything renders as expected.
>
> But when the first element is the acciaccatura, everything renders weird.
> The clefs and time signatures are drawn twice on the melody line and upper
> staff, the time signature (but not the clef) is drawn twice on the lower
> staff, and the acciaccatura on the lower staff is stretched across from
> one time signature to the next.
>
> What on earth is going on here?  For the details, see:
>
>   http://www.panix.com/~eravin/brokenlily/broken.pdf
>
> And the full LilyPond source file is there at:
>
>   http://www.panix.com/~eravin/brokenlily/broken.ly.txt
>
> I'm using LilyPond 2.10.29 on a G4 Mac OS 10.3.9.
>
>
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