Re: alternate note of trill and its accidental

[Mats Bengtsson]

I don't really understand why you used two simultaneous parts of
music and the spacing rests, since the rhythm can fits perfectly
well into a single line of music. Notice that Lilypond considers the
grace notes to have zero duration.

I simplified your example a bit:

\time 3/8
df'4^#'(lines (script (music "accidentals--1")) (music scripts-trill"))
(  \grace {[c!8 des!8]} ) d!16. d,!32 |
df'8.^#'(lines (script (music "accidentals--1")) (music scripts-trill"))
( df!8.^#'(lines (script (music "accidentals--2")) (music scripts-trill")) |
\grace {[c!8 df!8]} ) d!8 c,,!4 |

For the wavy line, go to lilypond.org, click on Documentation:Index
and then on "tips-and-tricks" and search for the example file trill.ly.

    /Mats

Jacob Smullyan wrote:
> On Mon, Jun 23, 2003 at 11:21:34PM +0200, Mats Bengtsson wrote:
>
> > Paul forgot to mention that his answer used the new tex markup syntax
> > from the development version 1.7.xx and won't work directly in the
> > stable series 1.6.xx. I don't have Lilypond installed here right now, but
> > I'm sure someone else on the mailing list can provide you with a tested
> > version for 1.6.xx if necessary. Basically, it's something like
> > c4^#(columns (music "scripts-trill") (music "accidentals-0"))
>
>
> Thanks, that was a big help.  The above didn't quite work, but it led
> me in a workable direction.  For the record, this is what I have at
> the moment, with a little context:
>
>      \time 3/8
>      < {df'4^#'(columns((music "scripts-trill")))^#'(columns((music 
> "accidentals--1"))) (} { s8...  \grace {[c!8 df!8]}}> ) d!16. d,!32
>      df'8.^#'(columns((music "scripts-trill")))^#'(columns((music "accidentals--1"))) ( < 
> df!8.^#'(columns((music "scripts-trill")))^#'(columns((music "accidentals--2"))) {s8 s32.. \grace {[c!8 
> df!8]}} >
>      ) d!8 c,,!4
>
> (I'm not sure that the "columns" are necessary -- I'm groping a bit!)
> The output is OK, but not optimal.  The accidental above the trill
> mark is too large, the slur cuts across the trill in a rather
> unfortunate way, and I'd still prefer a wavy line after the trill (in
> the second measure, going the full length of the measure over both
> noteheads, underneath the auxilliary accidentals).  But I can live
> with this.  I'm impressed that lilypond can produce very serviceable
> output without any fine-tuning (although there seems a rather sharp
> divide between the high-level interface -- c b s4 etc. -- and the
> low-level one).
>
> Jacob Smullyan
>
>
>
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--
=============================================
        Mats Bengtsson
        Signal Processing
        Signals, Sensors and Systems
        Royal Institute of Technology
        SE-100 44  STOCKHOLM
        Sweden
        Phone: (+46) 8 790 8463                         
        Fax:   (+46) 8 790 7260
        Email: address@hidden
        WWW: http://www.s3.kth.se/~mabe
=============================================