\version "2.16.0" \language "english" #(ly:set-option 'point-and-click #f) #(set-default-paper-size "a4") \paper { indent = 0\mm ragged-bottom = ##f ragged-last-bottom = ##f top-margin = 5\mm top-markup-spacing = 5\mm bottom-margin = 5\mm % ragged-right = ##f } \header { title = \markup { \fill-line { \line { } \center-column {"Conservatoire à rayonnement départemental" "des Alpes de Haute Provence" "et réseau" } \line { } }} subtitle = \markup { \line { \vspace #1 } \fill-line { \line { } \line { " Formation musicale " \char ##x2013 " Cycle I" } \line { } }} subsubtitle = \markup { \fill-line { \line { } \line { DICTÉES } \line { } }} instrument = \markup { \fill-line { \line { } \line { examen de fin de cycle \char ##x2013 mai 2012 } \line { } }} tagline = \markup { \line { Réalisé par J.-C. Malahieude grâce à LilyPond version $(lilypond-version) \char ##x2013 http://lilypond.org \char ##x2013 Le logiciel libre } } } %% FONCTIONS et RACOURCIS %once override bar oob = { \once \override Staff.BarLine #'stencil = ##f } %cache Notes cN = { \hideNotes \override Staff.Rest #'transparent = ##t } %cache Silences cS = \override Staff.Rest #'transparent = ##t %montre Notes mN = \unHideNotes %début Groupe dG = \startGroup %fin Groupe fG = \stopGroup circle = \once \override NoteHead #'stencil = #(lambda (grob) (let* ((note (ly:note-head::print grob)) (combo-stencil (ly:stencil-add note (circle-stencil note 0.1 0.8)))) (ly:make-stencil (ly:stencil-expr combo-stencil) (ly:stencil-extent note X) (ly:stencil-extent note Y)))) Qui = \markup { \line { \vspace #2 } \line { \concat { "Nom : " \override #'(span-factor . 1/3 ) \draw-hline " Prénom : " \override #'(span-factor . 1/4 ) \draw-hline " Ville : " \override #'(span-factor . 1/5 ) \draw-hline } } } %%% Formules rythmiques rFormules = \relative c'' { \bar "" \tag #'Prof { \mN } \tag #'Eleve { \cN } \mark \default \time 3/4 a4-\tag #'Prof ^"(0,5 pt)" a8 a16 a a4 \stopStaff s2. \startStaff \mark \default \time 3/4 a8-\tag #'Prof ^"1,5 pt" a4 a8 a4 \stopStaff s2. \startStaff \mark \default \time 3/4 a4.-\tag #'Prof ^"1,5 pt" a8 a4 \break \mark \default \time 6/8 a8.-\tag #'Prof ^"1 pt" a16 a8 a4. \stopStaff s2. \startStaff \mark \default \time 6/8 a4-\tag #'Prof ^"0,5 pt" a8 a4. } %%% Formules rythmiques rDictee = \relative c'' { \bar "" \tag #'Prof { \mN } \tag #'Eleve { \cN } \mark \default \time 3/4 a16 a a a a4 r8 a a4 a8. a16 a4 \break \mark \default \time 6/8 a8 a a a4. a8. a16 a8 a4. } %%% Melodie Melodie = \relative c' { \override HorizontalBracket #'direction = #1 \bar "" \tag #'Prof { \mN } \mark \default \clef "treble" \time 7/1 \tag #'Prof \circle c1 \tag #'Eleve { \cN } d-\tag #'Prof \dG -\tag #'Prof ^" 1" e-\tag #'Prof \fG c-\tag #'Prof \dG e-\tag #'Prof ^" 2" g1 c-\tag #'Prof \fG | % -2- \mark \default \tag #'Eleve { \mN } \tag #'Prof \circle a1 \tag #'Eleve { \cN } g-\tag #'Prof \dG -\tag #'Prof ^" 1" f-\tag #'Prof \fG fs-\tag #'Prof ^"1" g-\tag #'Prof \dG b-\tag #'Prof ^"1,5" a-\tag #'Prof \fG | \break % -3- \mark \default \tag #'Eleve { \mN } \time 9/1 \tag #'Prof \circle d1 \tag #'Eleve { \cN } d,-\tag #'Prof ^"1" f-\tag #'Prof \dG -\tag #'Prof ^" 1" a-\tag #'Prof \fG bf-\tag #'Prof ^"1" a-\tag #'Prof \dG -\tag #'Prof ^" 1" b!-\tag #'Prof \fG cs-\tag #'Prof ^"1" d-\tag #'Prof ^"0,5" | \mark \default \tag #'Eleve { \mN } \time 7/1 \tag #'Prof \circle e,1 \tag #'Eleve { \cN } f-\tag #'Prof \dG g-\tag #'Prof ^"1" a-\tag #'Prof \fG bf-\tag #'Prof ^"1" g-\tag #'Prof \dG -\tag #'Prof ^" 1" f-\tag #'Prof \fG } %%% Accords dAccords = \relative c' { \bar "" \mark \default 1 \mark \default \mark \default \mark \default \mark \default } %%% Cadences cadencesH = \relative c' { \bar "" \time 2/4 \key g \major \mark \default 4 | 8 g' | 2^\fermata \mark \default %% 2 4 | 8 | << { \voiceOne g8 fs } \new Voice { \voiceTwo d4 } >> \oneVoice 4^\fermata \break \mark \default %% 3 4 | << { \voiceOne 4 } \new Voice { \voiceTwo e8 d } >> \oneVoice | 2^\fermata \mark \default %% 4 4 | | 2^\fermata \mark \default %% 5 4 | | 2^\fermata } cadencesB = \relative c' { \time 2/4 \key g \major g4 fs | g c, | d2 4 | 8 | 4 4 | g e | 2 fs4 g8 fs | e4 a, | b2 d4 b | c d | g,2 } %%PROFESSEUR \book { \bookOutputSuffix "Professeur" \score { \keepWithTag #'Prof \new RhythmicStaff { \set Score.markFormatter = #format-mark-circle-numbers \override Score.TimeSignature #'break-visibility = #end-of-line-invisible \rFormules } \layout { \context { \Score \remove "Bar_number_engraver" } } \header { piece = \markup{ \vspace #1 \column { \line { \number 1- Formules rythmiques \char ##x2013 \italic { Jouer deux fois chaque fragment à l'instrument ou à la voix. } } } } } } \score { \keepWithTag #'Prof \new RhythmicStaff { \set Score.markFormatter = #format-mark-circle-numbers \override Score.TimeSignature #'break-visibility = #end-of-line-invisible \rDictee } \layout { line-width = 10\cm \context { \Score \remove "Bar_number_engraver" } } \header { piece = \markup{ \column { \line { \number 2- Dictée de rythmes \char ##x2013 \italic { Frapper ou jouer trois ou quatre fois chaque fragment. Un point par temps. } } } } } } \score { \keepWithTag #'Prof \new Staff \with { \remove "Time_signature_engraver" } { \set Score.markFormatter = #format-mark-circle-numbers \Melodie } \layout { \context { \Score \remove "Bar_number_engraver" } \context { \Voice \consists "Horizontal_bracket_engraver" } } \header { piece = \markup{ \line { \number 3- Dictée mélodique \char ##x2013 \italic { Jouer chaque fragment trois ou quatre fois. } } } } } \score { \new Staff \with { \remove "Time_signature_engraver" } { \set Score.markFormatter = #format-mark-circle-numbers \dAccords } \layout { \context { \Score \remove "Bar_number_engraver" } } \header { piece = \markup{ \line { \number 4- Accords \char ##x2013 \italic { Jouer deux fois chaque accord. Un point chacun. } } } } } \score { \new PianoStaff << \set Score.markFormatter = #format-mark-circle-numbers \new Staff = "upper" { \cadencesH } \new Staff = "lower" { \clef bass \cadencesB } >> \layout { \context { \Score \remove "Bar_number_engraver" } } \header { piece = \markup{ \line { \number 5- Cadences \char ##x2013 \italic { 1/2, P, 1/2, 1/2, P. Un point chacune. } } } } } \markup \null } %%% FIN PROF %%ÉLÈVE \book { \bookOutputSuffix "Eleve" \Qui \score { \keepWithTag #'Eleve \new RhythmicStaff { \set Score.markFormatter = #format-mark-circle-numbers \override Score.TimeSignature #'break-visibility = #end-of-line-invisible \rFormules } \layout { \context { \Score \remove "Bar_number_engraver" } } \header { piece = \markup{ \vspace #2 \column { \line { \number 1- Formules rythmiques. } } } } } \score { \keepWithTag #'Eleve \new RhythmicStaff { \set Score.markFormatter = #format-mark-circle-numbers \override Score.TimeSignature #'break-visibility = #end-of-line-invisible \rDictee } \layout { line-width = 10\cm \context { \Score \remove "Bar_number_engraver" } } \header { piece = \markup{ \vspace #1.25 \column { \line { \number 2- Dictée de rythmes. } } } } } \score { \keepWithTag #'Eleve \new Staff \with { \remove "Time_signature_engraver" } { \set Score.markFormatter = #format-mark-circle-numbers \Melodie } \layout { \context { \Score \remove "Bar_number_engraver" } } \header { piece = \markup{ \vspace #1.25 \line { \number 3- Dictée mélodique \italic { (il peut y avoir des altérations) } . } } } } \score { \new RhythmicStaff \with { \remove "Time_signature_engraver" \override BarLine #'bar-extent = #'(-7.5 . 1.5) } { s4 s2.^"1" s4 s2.^"2" s4 s2.^"3" s4 s2.^"4" s4 s2.^"5" } \layout { ragged-right = ##f } \header { piece = \markup{ \vspace #1.25 \column { \line { \number 4- Accords \italic { (noter majeur ou mineur) }. } } } } } \score { \new RhythmicStaff \with { \remove "Time_signature_engraver" \override BarLine #'bar-extent = #'(-7.5 . 1.5) } { s4 s2.^"1" s4 s2.^"2" s4 s2.^"3" s4 s2.^"4" s4 s2.^"5" } \layout { ragged-right = ##f } \header { piece = \markup{ \vspace #1.25 \column { \line { \number 5- Cadences \italic { (noter parfaite ou demie cadence) }. } } } } } \markup \null } %% FIN ELEVE