% Set up a header. \header { title = "Montréal No. 1" ; composer = "Peter Schaffter" ; opus = "©1990 Peter Schaffter" ; instrument = "Piano Solo" ; tagline = "" ; } tempi = \context Voice = tempi \notes { \property Voice.TextScript \push #'padding = #10 \property Voice.TextScript \push #'style = #"bold" s1^"Fast 4 in a bar" } %====================================================================== % IDENTIFIERS % Stem direction stemsUp = \property Voice.Stem \push #'direction = #1 stemsDown = \property Voice.Stem \push #'direction = #-1 stemsBoth = \property Voice.Stem \push #'direction = #0 stemsPop = \property Voice.Stem \pop #'direction % Slur placement slursUp = \property Voice.Slur \push #'direction = #1 slursDown = \property Voice.Slur \push #'direction = #-1 slursBoth = \property Voice.Slur \push #'direction = #0 slursPop = \property Voice.Slur \pop #'direction % Tie direction tiesUp = \property Voice.Tie \push #'direction = #1 tiesDown = \property Voice.Tie \push #'direction = #-1 tiesBoth = \property Voice.Tie \push #'direction = #0 tiesPop = \property Voice.Tie \pop #'direction % Dynamic placement dynsUp = \property Voice.Dynamic \push #'direction = #1 dynsDown = \property Voice.Dynamic \push #'direction = #-1 dynsBoth = \property Voice.Dynamic \push #'direction = #0 dynsPop = \property Voice.Dynamic \pop #'direction % Articulation placement artsUp = \property Voice.ArticulationScript \push #'direction = #1 artsDown = \property Voice.ArticulationScript \push #'direction = #-1 artsBoth = \property Voice.ArticulationScript \push #'direction = #0 artsPop = \property Voice.ArticulationScript \pop #'direction % Dot placement dotsUp = \property Voice.Dots \push #'direction = #1 dotsDown = \property Voice.Dots \push #'direction = #-1 dotsBoth = \property Voice.Dots \push #'direction = #0 dotsPop = \property Voice.Dots \pop #'direction % Slur attachment; either stem or note slurstem = { \property Voice.slurBeginAttachment = #'stem \property Voice.slurEndAttachment = #'stem } slurnote = { \property Voice.slurBeginAttachment = ##f \property Voice.slurEndAttachment = ##f } % Switch a voice from one staff to the other, and allows crossbeaming staffUp = { \translator Staff = top \stemsPop \stemsDown } staffDown = { \translator Staff = bottom \stemsPop \stemsUp } % Dynamic padding % 5 is more or less the system default; use it as the % basis for slight adjustments up and down dpadi = \property Voice.DynamicLineSpanner \push #'padding = #1 dpadii = \property Voice.DynamicLineSpanner \push #'padding = #2 dpadiii = \property Voice.DynamicLineSpanner \push #'padding = #3 dpadiv = \property Voice.DynamicLineSpanner \push #'padding = #4 dpadv = \property Voice.DynamicLineSpanner \push #'padding = #5 dpadvi = \property Voice.DynamicLineSpanner \push #'padding = #6 dpadvii = \property Voice.DynamicLineSpanner \push #'padding = #7 dpadviii = \property Voice.DynamicLineSpanner \push #'padding = #8 dpadix = \property Voice.DynamicLineSpanner \push #'padding = #9 dpadx = \property Voice.DynamicLineSpanner \push #'padding = #10 dpadxi = \property Voice.DynamicLineSpanner \push #'padding = #11 dpadxii = \property Voice.DynamicLineSpanner \push #'padding = #12 dpadxiii = \property Voice.DynamicLineSpanner \push #'padding = #13 dpadxiv = \property Voice.DynamicLineSpanner \push #'padding = #14 dpadxv = \property Voice.DynamicLineSpanner \push #'padding = #15 dpadxvi = \property Voice.DynamicLineSpanner \push #'padding = #16 dpadxvii = \property Voice.DynamicLineSpanner \push #'padding = #17 dpadxviii = \property Voice.DynamicLineSpanner \push #'padding = #18 dpadxix = \property Voice.DynamicLineSpanner \push #'padding = #19 dpadxx = \property Voice.DynamicLineSpanner \push #'padding = #20 dpadPop = \property Voice.DynamicLineSpanner \pop #'padding %====================================================================== % PARTS % Soprano RondoAsopranoonevoice = \notes { \relative c' e8( )d-. e-. c~c e( d )e | f( g )a-. g~g f( e )d | e( )d-. e-. c~c bes4. | | e8( )d-. e-. c~c e( d )e | f( g )a-. g~g f( e )d | e( )d-. e-. g~g a4. | c1 | es8( d c g~g f4 g8 | \stemsDown bes4. c8~c bes4 )c8 | \stemsPop es8( d c g~g f4. | )g1 | e8( )d-. e-. c~c e( d )e | f( g )a-. g~g f( e )d | e( )d-. e-. c~c bes4. | } RondoAsopranoonevoiceAlt = \notes { \relative c' e8( )d-. e-. c~c e( d )e | f( g )a-. g~g f( e )d | e( )d-. e-. c~c bes4. | | e8( )d-. e-. c~c e( d )e | f( g )a-. g~g f( e )d | e( )d-. e-. g~g a4. | c1 | es8( d c )g~g f4 g8 | \stemsDown bes4. c8~c bes4 c8 | \stemsPop es8( d c )g~g f4. | g1 | e8( )d-. e-. c~c e( d )e | f( g )a-. g~g f( e )d | e( )d-. e-. c~c f4. | } RondoAsopranotwovoice = \notes { < { \relative c'' e8( )d e c~c e( d )e | f( g )a_. g~g f( e )d | e( )d e c~c bes4. | } { \relative c'' c8 g_. c_. e,~e c' g c | s1 | c8 g_. c_. e,~e d4. | } > < { \relative c'' e8( )d e c~c e( d )e | f( g )a_. g~g f( e )d | e( )d e g~g a4. | } { \relative c'' c8 g_. c_. e,~e c' g c | s1 | c8 g_. c_. e~e e4. | } > \relative c''' < { \stemsDown \relative c''' es8( d c g~g f4 g8 | bes4. c8~c bes4 )c8 | es8( d c g~g f4. | )g1 | \stemsPop } { \stemsDown \relative c''' g8 f es bes~bes bes4 bes8 | f'4. g8~g8 f4 g8 | g8 f es bes~bes bes4. | c1 | \stemsPop } { \stemsDown \relative c'' es8 d c g~g f4 g8 | bes4. c8~c bes4 c8 | es8 d c g~g f4. | g1 | \stemsPop } > < { \relative c'' e8( )d e c~c e( d )e | f( g )a_. g~g f( e )d | e( )d e c~c bes4. | } { \relative c'' c8 g_. c_. e,~e c' g c | s1 | c8 g_. c_. e,~e d4. | } > } soprano = \notes \relative c'' { \slursUp \tiesUp \dotsUp \stemsUp %1-4 R1*4 %5-8 R1*4 %9-12 r2 r8 g4. | r2 r8 g4. | r2 r8 g4. | r2 r8 g4. | %13-29 \RondoAsopranoonevoice r2 r8 g'8^> g,4 | \time 6/8 ; es'4.( )d4. | %30-33 \time 4/4 ; r2 r8 g4. | r2 r8 g4. | r2 r8 g4. | r2 r8 g4. | %34-51 \RondoAsopranotwovoice \relative c'' % { } | | \time 7/8 ; \stemsDown \relative c''' <)d2 f, d> | <)d2 f, d> | %52-55 \time 4/4 ; \stemsPop | \time 6/8 ; \relative c' r8 )es r8 )es | \time 4/4 ; r8 es( d es f es d )es | \time 6/8 ; | %56-63 \time 4/4 ; \relative c'' r8 es( d es f es d )es | \time 7/8 ; <)g2 d b f> | \stemsDown \relative c''' <)d2 b f b,> | \stemsPop \time 4/4 ; | | | | | %64-67 \relative c''' c4.( bes g4 | )c,1 | c'4.( bes d4 | )c1 | %68-72 c4.( bes g4 | )c,1 | c4.( c~c4 | )d1 | % { < r4 r2 > < s8 s8-\decr s2 s8 \! s8 > } | r4 r2 | %73-91 \RondoAsopranoonevoiceAlt g2~g8 c c,4 | g''2~g8 c, c,4 | % { < g'2~g8 c c,4 | g''2~g8 c,8 c,4 | > < s1-\cr | s2. \! s4 | > } g'2~g8 c c,4 | g''2~g8 c,8 c,4 | %92-95 \slurstem \time 7/8 ; es4.( )d2 | bes4.( )c2 | g4.( )bes2 | \time 6/8 ; a4.( f8 d' )c | %96-100 \time 7/8 ; es4.( )d2 | bes4.( )c2 | bes4.( )g2 | \time 3/8 ; a4. | \time 4/4 ; g8( g' f g bes g c )d | %101-104 \time 7/8 ; \relative c'' f4.( )e2 | g,4( a8 )d2 | c4.( )a2 | \time 6/8 ; b4.( c4 )d8 | %105-108 \time 7/8 ; \property Voice.TextScript \pop #'style \property Voice.TextScript \pop #'padding \property Voice.TextScript \push #'style = #"italic" \property Voice.TextScript \push #'padding = #10 <)g2 b,> | \time 9/8 ; )a2. | \time 7/8 ; <)c2 f,> | \time 3/8 ; | %109-112 \slurnote \time 4/4 ; <)a2 e a,> r2 | r2 | % { < r2 > < s8 s8-\cr s2 s8 \! s8 > } | r2 | \time 6/8 ; | %113-116 \time 4/4 ; <)d2 a> r2 | e,2.( f8 )g | \time 6/8 ; | \time 4/4 ; ~ <)f f,> | %117-121 \time 6/8 ; ~ | ~ | a,8 a'4~a4. | | % { < > < s4. s4-\cr \! s8 > } | | %122-137 \time 4/4 ; \RondoAsopranotwovoice \relative c'' g1 | %138-141 R1 | < { \relative c''' \stemsDown e8( d )e c~c bes4. \stemsPop | } { \relative c''' \stemsDown c8 g c^. e,~e d4. \stemsPop | } > \relative c''' g1 | R1 | %142-144 \stemsDown \relative c''' fis8( e )fis^. d~d fis( e )fis | g( a )b4^. r2 | g,8( a )b4^. r2 \bar "||" ; | \stemsPop %145-148 R1*4 | %149-153 \relative c'' des2.( f4 | des2. f,4 | a2. des,4 | )f1~ | f | %154-158 des'2.( f4 | des2. f,4 | a2. des,4 | <)f1 b,>~ | | %159-162 des1( | f2. )aes4 | \slurstem g8( )f4-. f f f8 | g8( )f4-. f f f8 | %163-166 \slurnote des1( | f2~ f4 aes8 des | )f1~ | f | %167-171 | | | <)a1 f des>~ | | %172-176 | | | <)f1 des b>~ | | %177-180 | <)des4 aes f des> | g,8( )f4-. f8~f [aes'( g, )des'] | g,8( )f4-. f8~f4 g | %181-184 | < { <)aes f des> } { \context Voice = high \notes { \stemsUp \slursUp \relative c''' s2 r8 aes( des, <)es es,> \slursPop \stemsPop } } > | ~ | | %185-188 ~ | ~ <)f4-- c g> | ~ | ~ <)g4-- d a> | %189-191 ~ <)aes' es bes> | ~ <)aes' es bes> | < { \relative c'' a( bes c d des d f )fis } { \relative c' d f g ges aes a c b } { \relative c' bes b des es d es s4 } > | %192-195 \relative c''' a1( | )e | g( | )d | %196-201 d2.( c4 | d2. )c4 | | | | r2 | %202-217 \RondoAsopranotwovoice < { \stemsDown \relative c'' fis'8( e )fis^. d~d c4. | \stemsPop } { \stemsDown \relative c'' d'8 c d bes~bes aes4. | \stemsPop } > %218-223 < { \relative c'' a8 g a-. f~f es4. } { \relative c' f8( es )f c~c g4. } > | \relative c' < f1 c1 > | \relative c' r4 f8( )bes f( g c )es | < { } { \context Voice = high \notes { \relative c''' \stemsUp s2 r4 c4 \stemsPop } } > | \relative c'' f d> f bes,> a,> | \property Voice.Script \push #'padding = #5 \bar "||" ; } % Alto alto = \notes \relative c' { \stemsDown \tiesDown \dotsDown \slursDown %1-24 s1*24 %25-29 s1*3 | c1 | \time 6/8 ; s2. | %30-33 \time 4/4 ; c1 | c1 | c1 | c1 | %34-37 \relative c'' s1 | d2 bes4 g8 f | s1 | s1 | %38-41 s1 | d'2 bes4 g8 f | s1 | s1 | %42-45 s1*3 | s1 | %46-51 s1 | d'2 bes4 g8 f | \slursUp R1 | r2 c8( g' c )c' | \slursPop \time 7/8 ; s4. s2 | s4. s2 %52-55 \time 4/4 ; s1 | \time 6/8 ; s2. | \time 4/4 ; s1 | \time 6/8 ; s2. | %56-63 \time 4/4 ; \relative c'' | \time 7/8 ; s4. s2 | s4. s2 | \time 4/4 ; \relative c''' \tiesUp r8 ~ | r8 ~ | \tiesPop \relative c'' \slursUp r8 es( d es f fis )gis4 | \slursPop s1*2 | %64-67 \relative c''' [aes8 c, f] [g bes, es] [es g,] | aes1 | [aes'8 c, f] [g bes, d] [g d] | | %68-72 \relative c''' [aes8 c, f] [g bes, es] [es g,] | aes1 | [aes8 c, f] [aes c, f] [aes c] | g8 d4 d8~d g( \staffDown g, \staffUp )d' | d'8 g,4 g8~g( \staffDown g, b \staffUp )d | %73-76 s1*4 | %77-80 s1*4 | %81-84 s1*4 | %85-91 \relative c' s1*3 | r8 c4 c8~c2 | r8 g'4 g8~g2 | r8 c,4 c8~c2 | r8 g'4 g8~g2 | %92-95 \time 7/8 ; s4. s2 | s4. s2 | s4. s2 | \time 6/8 ; s2. | %96-100 \time 7/8 ; s4. s2 | s4. s2 | s4. s2 | \time 3/8 ; s4. | \time 4/4 ; \relative c' g4 c8 d es4 f | %101-104 \time 7/8 ; r8 [g16( a )c8] r8 [g( c )b] | r8 [c,16( d )a'8] g4( )f | r8 [d16( e )g8] r8 [c,( f )e] | \time 6/8 ; r8 [d16( e )g8~] | %105-108 \time 7/8 ; r8 [f16( g )a8] r8 [e( b' )c] | \time 9/8 ; r8 [g16( a )c8] e8( d4 a )c8 | \time 7/8 ; r8 [g16( a )b8] r8 [a( e' )d] | \time 3/8 ; r8 [g,16( a )b8] | %109-112 \time 4/4 ; \relative c' \slursUp r8 e( e e a e b' )c | r4 a( d e8 )f | r8 c,16( d e8 )g c( g d' )e | \time 6/8 ; r8 d d r8 e e | %113-116 \slursPop \time 4/4 ; s1*2 | \time 6/8 ; s2. | \time 4/4 ; s1 | %117-121 \time 6/8 ; \relative c'' g4( f8 e d )a | e'4( d8 c bes )f | r8 a'( g f4 )d8 | s2. | r4. c'4( )b8 | %122-125 \time 4/4 ; \relative c'' s1 | d2 bes4 g8 f | s1 | s1 | %126-129 s1 | d'2 bes4 g8 f | s1 | s1 | %130-133 s1*4 %134-137 s1 | d'2 bes4 g8 f | s1 | \relative c' e8( )e-. ~ | %138-141 s1*2 | \relative c'' e8( )e-. ~ | s1 | %142-144 s1*3 | %145-148 s1*4 | %149-153 s1*5 | %154-158 s1*5 | %159-162 \relative c' des1~ | des~ | des~ | des | %163-166 des~ | des | b'~ | b | %167-171 s1*5 | %172-176 s1*5 | %177-180 \relative c' g8( )f4-. f f f8 | g8( )f4-. f f f8 | b8 des4.~des2 | b8 des4.~des2 | %181-184 g,8( )f4-. f f f8 | g8( )f4-. f f f8 | ~ | | %185-188 s1*4 | %189-191 \relative c' s1 | s1 | s2. fis4 | %192-195 | | | | %196-201 | | s1*3 | \shiftOn \property Voice.NoteColumn \push #'force-hshift = #-0.75 \relative c'' c2~c8 b( c )d | %202-205 \property Voice.NoteColumn \pop #'force-hshift \relative c'' s1 | d2 bes4 g8 f | s1 | s1 | %206-209 s1 | d'2 bes4 g8 f | s1 | s1 | %210-213 s1*4 %214-223 s1 | d'2 bes4 g8 f | s1 | s1 | s1 | \relative c r8 f4 f8~f2 | r4 bes8 es c4 f8 aes | r8 c,4 c8~c4. c8 | bes( d )a'4 s2 | s1 | } % Tenor RondoAtenor = \notes { \relative c' g8( )c,4-. c8_-~c4. c8 | bes8( d )a'4-. g,8( bes'4 )a8 | g8( )c,4-. c8_-~c4 c | c'4.^- bes^- f4^- | g8( )c,4-. c8_-~c4. c8 | bes8( d )a'4-. g,8( bes'4 )a8 | g8( )c,4-. c8_-~c4 c | c'4.^- bes^- f4^- | f,8( )c'4-. c8_-~c4 c | g8( c )f4-. r8 bes,4( )g'8 | f,8( )c'4-. c8_-~c4 c | s1 | g'8( )c,4-. c8_-~c4. c8 | bes8( d )a'4-. g,8( bes'4 )a8 | } % Tenor rhythm machine that first appears in bar 145 diddle = \notes { \relative c es8( )f4-. f f f8 } tenor = \notes \relative c' { \stemsUp \tiesDown \dotsUp \slursUp \artsUp \slurstem %1-4 g8( )c,4-. c8_-~c4. c8 | bes8( d )a'4-. g,8( bes'4 )a8 | g8( )c,4-. c8_-~c4 c | c'4.^- bes^- f4^- | %5-8 g8( )c,4-. c8_-~c4. c8 | bes8( d )a'4-. g,8( bes'4 )a8 | g8( )c,4-. c8_-~c4 c | f4.^- d^- a'4^- | %9-12 < g1 c,> | < g1 c,> | < g1 c,> | < g1 c,> | %13-29 \RondoAtenor g8( )c,4-. c8_-~c4 c | r8 g'4-. g8~g2 | \time 6/8 ; f,8( c' )g' g,8( d' )f | %30-51 \time 4/4 ; | | | \RondoAtenor g8( )c,4-. c8_-~c4 c | r8 aes( aes es' )c'2 | \time 7/8 ; [f,,8( c' )g'] [g,( d' f )g,] | [f8( c' )g'] [g,( d' f )c'] | %52-55 \time 4/4 ; r8 es( d es f es d )es | \time 6/8 ; s2. | \time 4/4 ; s1 | \time 6/8 ; s2. | %56-63 \time 4/4 ; \relative c' r4 d8( es f es d )es | \time 7/8 ; s4. s2 | s4. s2 | \time 4/4 ; s1 | s1 | \relative c' r8 c( b c d es )f4 | s1*2 | %64-67 \relative c' s1 | [aes8( c )es] [g,( c )es] r4 | s1 | [c8( g' )c] [f,( g )c] r4 | %68-72 \relative c' s1 | [aes8( c )es] [g,( c )es] r4 | s1 | s1 | s1 | %73-91 \RondoAtenor g8( )c,4-. c8_-~c4 c | r8 g'4.~g4 g4 | r8 g4.~g4 g | r8 g4.~g4 f | r8 ~ f | %92-95 \time 7/8 ; \relative c, [f8( c' )g'] [g,( d'] )f4 | [es,8( bes' )f'] [c,( g'] ) es'4 | [d,8( g )es'] [es,( bes'] )es4 | \time 6/8 ; d,8( a' )d bes4. | %96-100 \time 7/8 ; [f8( c' )g'] [g,( d'] )f4 | [es,8( bes' )f'] [c,( g'] )es'4 | [d,8( g )d'] [es,( bes'] )es4 | \time 3/8 ; f,8( c' )f | \time 4/4 ; d1 | %101-104 \time 7/8 ; [g,8( d' )a'] [a,( e'] )g4 | [f,8( c' )g'] [d,( a' e' )d] | [e,8( a )f'] [f,( c'] )a'4 | \time 6/8 ; e,8( b' )e f,( c' )a' | %105-108 \time 7/8 ; [g,8( d' )a'] [a,( e'] )g4 | \time 9/8 ; [f,8( c' )g'] [d,( a'] f'4 )d | \time 7/8 ; [e,8( b' )e] [f,( c'] )f4 | \time 3/8 ; g,8( d' )g | %109-112 \slursDown \slurnote \time 4/4 ; \relative c' r4 d( c b8 )a | r8 a( a a f' a, g' )a | r8 g,( c )d e( d g, )c | \slurstem \slursPop \time 6/8 ; d4.( )e | %113-116 \time 4/4 ; r8 a,8( a a d a e' )f | r8 g,8( g g c g d' )e | \time 6/8 ; r8 a, a r8 a a | \time 4/4 ; r2 r4 r8 a~| %117-121 \time 6/8 ; a4.~a8 f d | bes'4.~bes8 d, bes | r4. a' | g8 r8 r8 r4. | r4. c )d | %122-137 \time 4/4 ; \RondoAtenor g8( )c,4-. c8_-~c4 c | c,8( )g'4-. g8^-~g4 g | %138-141 s1 | \relative c'' \property Voice.NoteColumn \push #'force-hshift = #-0.5 g8( )c,4-. c8^-~c4 c | c,8( )g'4-. g8_-~g4 g | s1 | %142-144 \clef treble ; \relative c''' g8( )c,4-. c8~c4. c8 | \property Voice.NoteColumn \pop #'force-hshift s1*2 | %145-148 \clef bass ; \diddle | \diddle | \diddle | \diddle | %149-153 \diddle | \diddle | \diddle | \diddle | \diddle | %154-158 \diddle | \diddle | \diddle | \diddle | \diddle | %159-162 \relative c' g8( )f4-. f f f8 | g8( )f4-. f f f8~ | f8( )g4-. g g g8 | f8( )g4-. g g g8~ | %163-166 g8( )f4-. f f f8 | g8( )f4-. f f f8 | es8( )f4-. f f f8 | es( )f4-. f f f8 | %167-171 \diddle | \diddle | \diddle | \diddle | \diddle | %172-176 \diddle | \diddle | \diddle | \diddle | \diddle | %177-180 \relative c s1 | s1 | f8( )g4-. g g g8 | f8( )g4-. g8~g b,4. | %181-184 s1 | s1 | \diddle | \diddle | %185-188 \relative c cis8 c4.~c8 b~b4 | s1 | dis8 d4.~d8 cis~cis4 | s1 | %189-191 f8 e4.~e8 r8 r4 | f8 e4.~e8 r8 r4 | R1 | %192-195 \relative c' r8 e4 e8~e e,( a )e' | r8 a,4 a8~a( e )a4 | r8 g4 g8~g d( g )d' | r8 g,4 g8~g( d )g4 | %196-201 < { \relative c r8 es4 es8~es c es ges } { \relative c, r8 es4 es8~es c( es )ges } > | \relative c r8 es4 es8~es c( es )ges | r8 d4 d8~d c( g' )c | r8 d4 d8~d( c )g'4 | \relative c, r8 d4 d8~d c( g' )c | r8 d4 d8~d g( a )b | %202-223 \RondoAtenor g8( )c,4-. c8_-~c4 c | bes8( )f4-. f8~f4 f | c'8( )f,4-. f8~f4 c | r8 f4-. f8_-~f c c' \staffUp c' | \staffDown \relative c aes8( es' )aes4 bes,8( f' )aes4 | g8( )c,4-. c8_-~c4. c8 | bes8( d )a'4 r8 f d> a8^> | | } % Bass RondoAbass = \notes { \relative c' g1 | bes,2 g | g'1 | bes,4. g~g4 | g'1 | bes,2 g | g'1 | bes,4. g4.~g4 | f1 | g4. es8~es2 | f1 | \stemsUp | \stemsPop g'1 | bes,2 g | } bass = \notes \relative c' { \slursDown \tiesDown \dotsDown \stemsDown %1-4 g1 | bes,2 g | g'1 | \dotsUp bes,4. g~g4 \dotsPop | %5-8 g'1 | bes,2 g | g'1 | bes,4. g f4 | %9-12 r8 c4_. c8_-~c4 g | r8 c4_. c8_-~c4 g | r8 c4_. c8_-~c4 g | r8 c4_. c8_-~c4 g | %13-29 \RondoAbass g'1 | | \time 6/8 ; f4. g | %30-33 \time 4/4 ; \relative c, r8 c4_. c8_-~c4 g | r8 c4_. c8_-~c4 g | r8 c4_. c8_-~c4 g | r8 c4_. c8_-~c4 g | %34-51 \RondoAbass g'1 | \stemsBoth es1 | \stemsPop \time 7/8 ; f,4. g4. g8 | f4. g2 | %52-55 \time 4/4 ; | \stemsUp \dotsUp \time 6/8 ; aes4.( )g | \dotsPop \stemsPop \time 4/4 ; | \time 6/8 ; r8 aes8( )ges' r8 g,( )f' | %56-63 \time 4/4 ; | \time 7/8 ; \relative c r8 [aes( )ges'] r8 [g,( f' )b] | r8 [aes,( )ges'] [g,( d' f )b] | \time 4/4 ; | | | \stemsBoth \tiesDown \slursUp r8 g4 g8~g d'( g )c | r8 g,4 g8~g( d' )b'4 | \tiesPop \stemsPop %64-67 \relative c' f4( )aes8 es4( )g8 c,4 | aes4. g es4 | f4( )aes'8 g,4( )g'8 bes,4 | \property Voice.NoteColumn \push #'force-hshift = #-0.25 c4. f es4 | \property Voice.NoteColumn \pop #'force-hshift %68-72 \relative c' f4( )aes8 es4( )g8 c,4 | aes4. g es4 | \slursPop \stemsBoth \dotsUp f4. d c4 | \dotsPop \stemsPop b1 | g1 | %73-91 \RondoAbass g'1 | bes,1 | a1 | aes1 | g1 | %92-95 \time 7/8 ; f4. g2 | es4. c2 | d4. es2 | \time 6/8 ; d4. bes' | %96-100 \time 7/8 ; f4. g2 | es4. c2 | d4. es2 | \time 3/8 ; f4. | \time 4/4 ; g1 | %101-104 \time 7/8 ; g4. a2 | f4. d2 | e4. f2 | \time 6/8 ; e4. f | %105-108 \time 7/8 ; g4. a2 | \time 9/8 ; f4. d2. | \time 7/8 ; e4. f2 | \time 3/8 ; g4. | %109-112 \time 4/4 ; r2 | d2 r2 | s1 | \time 6/8 ; r8 bes4 r8 c4 | %113-116 \time 4/4 ; d4( g f e8 )d | c4( d e d8 )c | \time 6/8 ; | \tiesBoth \time 4/4 ; ~ c' )a | \tiesPop %117-121 \time 6/8 ; d,8 a4~a4. | f'8 bes,4~bes4. | f8( f' e d e )f | g( d16 f )g8 g,( c <)d, d'> | d'16 f )g8~g4. | %122-125 \time 4/4 ; \RondoAbass g'1 | c,,1 | %138-141 R1 | \relative c'' g1 | c,,1 | R1 | %142-144 \clef treble ; \relative c''' g1 | \slursUp bes,8( d )a'4-. r2 | \slursPop \stemsUp bes,,8( d )a'4-. r2 | \stemsPop %145-148 \clef bass ; \relative c b1~ | b | b~ | b | %149-153 b~ | b | b~ | b | b~ %154-158 b | b~ | b | a~ | a | %159-162 c~ | c | b ~ | b | %163-166 c~ | c | a~ | a | %167-171 b~ | b | b~ | b | b~ | %172-176 b | b~ | b | a~ | a | %177-180 ~ | | \property Voice.TextScript \pop #'style \property Voice.TextScript \push #'style = #"italic" | | %181-184 ~ | | b,~ | b | %185-188 a | aes | b | bes | %189-191 cis | cis2.~cis8 c | ges'8( g a aes bes b es )d | %192-195 \property Voice.SustainPedal \push #'padding = #10 < {c1} {s2.-\sustaindown s8 s8-\sustainup} > | < {b1} {s2.-\sustaindown s8 s8-\sustainup} > | < {bes1} {s2.-\sustaindown s8 s8-\sustainup} > | < {a1} {s2.-\sustaindown s8 s8-\sustainup} > | %196-201 aes1 | < {} {s2.-\sustaindown s8 s8-\sustainup} > | < {} {s2.-\sustaindown s8 s8-\sustainup} > | < g'1 {s2.-\sustaindown s8 s8-\sustainup} > | < {} {s2.-\sustaindown s8 s8-\sustainup} > | r2-\sustainup | %202-205 \relative c' \RondoAbass g'1 | bes, | c | f,, | aes'2 bes | g'1 | bes,2 g'> | | } % Dynamics dynamics = \notes { \dynsDown \dpadv \time 4/4 ; %1-6 s1_\mf | s1*5 | %7-13 \dpadPop \dpadviii s1*4 | s1 \decr | s2. \rced s4 | \dpadPop \dpadv s1_\mp | %14-20 s1*7 | %21-26 s1*6 | %27-33 s1*2 | \dpadPop \dpadviii \time 6/8 ; s2.-\f | \time 4/4 ; s1 \> | s1*2 | s2. \! s4 | %34-38 \dpadPop \dpadv s1-\mp | s1*4 | %39-45 s1*7 | %46-51 s1*4 | \time 7/8 ; \dpadPop \dpadvii s4.-\f s2 | s4. s2 | %52-56 \time 4/4 ; s1 | \time 6/8 ; s2. | \time 4/4 ; s1 | \time 6/8 ; s2. | \time 4/4 ; s1 | %57-63 \time 7/8 ; s4. s2 | s4. s2 | \time 4/4 ; s1*3 | s1 \> | s2. \! s4 | %64-68 s1-\p | s1*4 | %69-74 \dpadPop \dpadx s1 | s2. \< s8 \! s8 | \dpadPop \dpadxix s1-\mf | s1 | \dpadPop \dpadv s1-\mp | s1 | %75-81 s1*7 | %82-88 s1*7 | %89-94 s1*3 | \time 7/8 ; s4.-\mf s2 | s4. s2 | s4. s2 | %95-100 \time 6/8 ; s2. | \time 7/8 ; s4. s2 | s4. s2 | s4. s2 | \time 3/8 ; s4. | \time 4/4 ; \dpadPop \dpadx s8 s8 \> s2 s8 \! s8 | %101-104 \time 7/8 ; \dpadPop \dpadvii s4.-\mp s2 | s4. s2 | s4. s2 | \time 6/8 ; s2. | %105-108 \time 7/8 ; s4. s2 | \time 9/8 ; s4. s2. | \time 7/8 ; s4. s2 | \time 3/8 ; s4. | %109-113 \time 4/4 ; s1-\f | s1*2 | \time 6/8 ; s2.-\f | \time 4/4 ; s1-\mf | %114-120 s1 | \time 6/8 ; s4. \< s4 \! s8 | \time 4/4 ; s1-\f | \time 6/8 ; s2.*4 | %121-126 \dpadPop \dpadiv s4. s4 \> \! s8 | \time 4/4 ; \dpadPop \dpadv s1-\mp | s1*4 | %127-133 s1*7 | %134-140 s1*7 | %141-147 s1 | s1-\p | s1*2 | s1-\p | s1*2 | %148-154 s1*7 | %155-161 s1*7 | %162-168 s1*2 | s2. s8 \< \! s8 | s1-\mf | s1 | s1-\p | s1 | %169-175 s1*7 | %176-182 s1*7 | %183-189 s1-\mf | s1*6 | %190-195 \dpadPop \dpadxix s1 | s2. \< s8 \! s8 | \dpadPop \dpadvii s1-\f | s1*3 | %196-201 s1*5 | s2 s8 s8 \> s8 \! s8 | %202-208 \dpadPop \dpadv s1-\mf | s1*6 | %209-215 s1*7 | %216-223 s1*8 | } %====================================================================== % SCORE BLOCK \score { \context PianoStaff \notes \simultaneous { \context Staff = top < \property Staff.textEmptyDimension = #1 % \property Score.barNumberScriptPadding = #10 \time 4/4 ; \key f \major ; \tempi \context Voice = soprano \soprano \context Voice = alto \alto \context Voice = dynamics \dynamics > \context Staff = bottom < \property Staff.textEmptyDimension = #1 \time 4/4 ; \key f \major ; \clef bass ; \context Voice = tenor \tenor \context Voice = bass \bass > } % The paper block. Note that it has to be included in the % \score block in order to use \translator to add/remove engravers % to contexts. \paper { \translator { \ScoreContext \remove Bar_number_engraver ; } } % \midi % { % \tempo 4 = 135 ; % } }